Clash of the Titans!

Posted by Metal Gear / Iceman on November 11, 2009, 02:52 PM | #

The first video is better if you are a technocrat.

Posted by Dúnadan on November 11, 2009, 03:01 PM | #

Agreed, this plays quite an important role.

Posted by John de Nugent on November 11, 2009, 03:25 PM | #

I hope the hero will be gay or black, there will no awe-inspiring swords-women, and the monsters will not have blue eyes.

I hope it won’t be like “2012,” with yet another black president…..

According to this reputable website, the cast seems to be all-Aryan:

http://www.imdb.com/title/tt0800320/

I like what the old man says at the beginning:

“One day, somebody is going to have to take a stand. One day, somebody is going to have to say ‘Enough!’ “

Here, a lib is complaining that the whole cast is white and that Andromeda should be played by a black:

http://www.imdb.com/title/tt0800320/board/nest/141512162

I’m looking forward to this movie….

And I agree:

“One day, somebody is going to have to take a stand. One day, somebody is going to have to say ‘Enough!’ “

I’m glad you pointed this film out to us, Constantin!

Posted by CCM on November 11, 2009, 04:01 PM | #

I think that the remake is cashing in on the title of the original. Also the original was very loosely based on the adventures of Perseus. I’d like to see hollywood mine some new territory, such as other adventures of of Perseus or perhaps other Greek myths. I do agree with you about making films on European mythology that stir the race soul.

Posted by David on November 11, 2009, 04:20 PM | #

JdN, I don’t see anything wrong with having a black President in the movie 2012 ... the most powerful Aryan state is currently headed by a negro-mix and he’ll be there until 2012.

As for the new CotT ... it looks awesome!  It looks like it falls right into “racial line” as did 300.  And it appears Zeus is being played by Liam Neeson, but a black Zeus wouldn’t bother me ... after all, I’ve never seen him in reality, so who knows, he may be a black gay negro.  Would still be better than worshipping a pacifist orthodox Jew.

Posted by Fred Scrooby on November 11, 2009, 04:43 PM | #

“David” is definitely posting at the wrong site.  Please stay away from now on, David.  The Daily Kos and the Huffington Post are more your speed.  Over here you will only .... well ..... make people vomit.

Posted by Fred Scrooby on November 11, 2009, 04:48 PM | #

In fact, I would simply zap “David’s” swill.  It couldn’t be clearer he either is on the other side and trying to provoke something, or is seriously mentally off.  I would wipe his pure unadulterated garbage off these pages.

Posted by Fred Scrooby on November 11, 2009, 05:18 PM | #

Getting back to the subject, John de Nugent’s comment was good and I’ll point out the obvious, that he meant to say “I hope the hero will not be gay or black” in the first line.  The other thing is Jewish hands must be kept off the making of any pro-European mythological movie or other film intended to come out as something mentally healthy for people of Euro race and culture because the Jews will always deliberately sabotage it in some wholly inappropriate racial way — either that or by inserting into it their other apparently genetic Jewish trademarks like fixation on genitalia, bodily/excretory functions, gratuitous vulgar language, cross-dressing and other perversions, the fantasy of unnaturally precocious preoccupation with sex on the part of pre-adolescents, the seeming celebration of just generally shocking language and behavior, sexual or otherwise, on the part of pre-adolescents, adolescents, and teenagers, and so on.  All that stuff in movies is typically Jewish and when you see a certain pattern of it in a film, you know instantly who it was who put it there.  Jews played a financial role in the making of the Lord of the Rings trilogy but somehow, God only knows how he did it, Peter Jackson kept Jewish paws off the actual making of the films, so that they weren’t able to demand filling it up with inappropriate Negroes and sullying it with all the rest of their disgusting preferences as cited.

Posted by David on November 11, 2009, 05:39 PM | #

I see ONE of you still lacks a sense of humor ... shocker!

As for “Jews and their paws” on LotRs ... one can find a swarm of Jewish names in the credits, but one “filthy Jew” who I’m very glad had their paws on the film was Howard Shore, who came up with the most Aryan music since Wagner, and in my opinion, out does him!

Sample #1 - http://www.youtube.com/watch?v=iKwidfhS7ik

Sample #2 - http://www.youtube.com/watch?v=prZ4RWWku7Y

Sample #3 - http://www.youtube.com/watch?v=PrLHUY6XgFc

Always be dem Jewwwwwwwssssssssss!  Mortimer, oh my gawd, let’s destroy da Aryan vit our Jew music!  Oy vey!

.... leaving the cave now, back into the sun ...

>Jews played a financial role in the making of the Lord of the Rings trilogy but somehow, God only >knows how he did it, Peter Jackson kept Jewish paws off the actual making of the films, so that they >weren’t able to demand filling it up with inappropriate Negroes and sullying it with all the rest of their >disgusting preferences as cited.

Posted by Gorboduc on November 11, 2009, 05:49 PM | #

Well, part of the problem with “today’s kids” (original post) is that their tastes have been spoiled by too much over-elaborate quasi-hypnotic sfx. It seems you have to kick their heads in to get any positive result ...
I had hoped that people were to be persuaded by a heroic presentation of our myths, not browbeaten or brainwashed by a fantastic light-show and a lot of noise.  certainly shan’t bother with the new CotT. (btw, I rather enjoyed “300” though ...)
The cast list of the earlier version seems MUCH classier, although Flora Robson was a bit of a lefty and Claire Bloom, although having a face of porcelain delicacy in her younger days MAY have had connections with the chosen. That said, it’s definitely clunky, like the old “Jason and the Argonauts”.
And Olivier - now that reminds me, and helps me make the point - his old WWII film of “Henry V”, despite its now rather fuzzy sound-track and its absolute lack of any sfx - apart from Walton’s music - oh, and the amazing hornet-like attack and impact of the flight of arrows at Agincourt - allows the great myth to work in the way Shakespeare wanted it to - you have to use your imagination, as the Chorus demands at the very start. Why not devise a plan for sharpening the kids’ literary responses?
The latest version of CotT seems to kidnap and then assault - and thus nullify - the imagination.
To state that myths need constant updating is to deny their very purpose, which is to remind us of ancient verities.
A few weeks ago, someone here was saying how they preferred Homer to the Bible - fine, but how updated does he have to be? Orpheus as Jagger?
Dear Fred, surely - even if “David” IS trying to “provoke something” - he needn’t be zapped. Get a stronger stomach, if you’re really afraid of an emetic event, and I’m sure you can satisfactorily argue him away. Unfortunately, his remark about Obama just happens to be true ...
Which do MRers prefer, “Romeo and Juliet” or “West Side Story”?

Posted by Fred Scrooby on November 11, 2009, 06:06 PM | #

“David” needn’t be zapped.  Get a stronger stomach.  (—Gorboduc)

Stomachs don’t come that strong.

Posted by Fred Scrooby on November 11, 2009, 06:07 PM | #

Reminds me of the guy who wanted the Ethiopian girl to serve him pancakes or whatever it was.  Maximum emetic effect.

Posted by Fred Scrooby on November 11, 2009, 06:09 PM | #

Probably the same asshole.

Posted by Fred Scrooby on November 11, 2009, 06:24 PM | #

Gorbo, since you’re jumping in on “David’s” side, let’s recall to mind your own suitability for posting here:  if you, a staunch Catholic, have a quarrel with the Vatican’s current efforts to get all whites everywhere on the planet race-replaced would you mind stating so, and stating what you think ought to be done about it?  If you have no such quarrel I can think of other blogs you’d be more suited to than this one.

Posted by danielj on November 11, 2009, 06:43 PM | #

The latest version of CotT seems to kidnap and then assault - and thus nullify - the imagination.

Excellent point.

However, one or two movies can serve to inspire setting aside the cultivation of the imagination for now.

Posted by Dan Dare on November 11, 2009, 06:51 PM | #

I must say I’m in complete agreement with gorbo on this one. The cynical re-purposing of classical myth to satiate the deadened sensibilities of the vid-kid generation and contemporary Asbo-fodder for purely commercial ends does nothing to further our cause. It’s rather touching that anyone should imagine that Hollywood product could do that, even unintentionally.

It’s a sad commentary on our times that the 8 to 14 year-old male youth who are the target demographic for this dreck would, if asked and if not actually stumped by the question, probably respond that Perseus is the name of a well-known brand of soap powder.

Posted by Gorboduc on November 11, 2009, 06:59 PM | #

Dear Mr. Scrooby: you are as wrong now in saying that I am on David’s side as you were formerly in identifying me with Monitor (although, after a bit of research, I conclude that Monitor had made some good points.)
As for David’s point about Obama - well IS Obama de facto President of the US of A, or isn’t he?
If you don’t like the Jewish fixation on “shocking behaviour” and “bodily/excretory functions” - an obsession you excoriate above, - then perhaps you should lay off a bit about “vomit” and “assholes”. I realise that I’m probably inviting another outburst of stercorous abuse from you, but please be a man, and do try and resist the temptation.
Oh, and keep to the point, which here happened to be about films that treat myths ...
I hope that you’re not attempting to impose a restrictive qualification on us, which would allow only those who can undertake to display 100% agreement with one particular contributor - to wit, yourself -  to post here.
Is this a forum or do you wish merely to enlist a chorus-line of Scrooby yes-men and sycophants? Can’t you take a bit of disagreement?
Plus fait douceur que violence.

Posted by Fred Scrooby on November 11, 2009, 07:04 PM | #

“Oh, and keep to the point, which here happened to be about films that treat myths ... “

Right I thought you might wiggle out of answering.

Posted by Gorboduc on November 11, 2009, 07:37 PM | #

Thankyou, Dan and Daniel!.
Dear Grand Inquisitor Scrooby, I am not accountable to you for whatever Benedict has or hasn’t said.
If he’s for race-replacement, then I defy him: any Pope can make disastrous political errors and many have done so. OK?
Like you, I was impressed by LotR: yes, the 4x2’s didn’t seem to affect much of the content, BUT as I remarked here some time ago, the TRUE ending of the story is the Scouring of the Shire, not just the Homecoming! Expectation of the Scouring is aroused by Frodo’s vision in Part 1 - the Hobbits’ homeland has been invaded by aliens and THIS has to be righted along with the greater matter of the Ring.
But it wasn’t shown. Some say it was a matter of running time ... this is to the point, although perhaps a bit “different”:

http://hollywoodjesus.com/lord_of_the_rings_feature.htm

Posted by Roderick Bateman on November 11, 2009, 07:54 PM | #

I’m sure this will be a good movie much like 300 but I don’t know… those old classic movies have their own magic to them. Some one here brought up “Jason and the Argonauts.” Now that was a kick ass movie and I’m sure if you showed it to kids today they would still enjoy it.

Though I’m not so sure it’s good for our cause. One theory I have about movies, videogames and entertainment in general is that it’s used as an outlet to absorb all your harsh feelings so as people become naturally more pissed off at their situation, more offensive movies are required to keep them at bay. However I suppose that’s a good thing because there will eventually come a point where the people cannot be held back anymore by a simple movie.

Posted by sirrealpolitik on November 11, 2009, 08:22 PM | #

I too am torn.

The CGI in the new release would appeal to the vidiots, and thereby expose them to at least a shred of the old mythos, but in a highly degraded form.

My optimistic side says maybe, just maybe some 12 or 13 year old will see this film and it will stir within him or her a longing for that thing, that cultural Geist that has been napalmed by 20th and 21st century television and hollow-wood (on with the shoah!) and maybe that stirring will set that kid on a course for a life of studious devotion to occidental culture, occidentally as it were.

but my inner pessimist says no. This film is much too pompous in its over-the-top effects and hammer-to-the-head sensory over-wroughtness for any good to come of it.

One thing, though, on a more personal note: the 1981 version looks so passé.
It makes me feel positively ancient…I was 10 when it came out. I remember watching it with my parents and being embarassed by the nude scenes—not by the scenes per se, but that I was watching them in the company of my mom and dad…

Posted by Gorboduc on November 11, 2009, 08:33 PM | #

Older movies - yeah! While seeing the classic “King Kong” a few years ago, I was amazed the police didn’t raid the Odeon and arrest the manager and projectionists AND the clientele over the presentation of the black crowd.
A current promotional feature for “The Imaginarium of Dr. Parnassus” warns viewers of “moderate bad language and scenes of threat AND SMOKING” so perhaps promos for “Kong” should warn of “unforgivably inaccurate racial stereotyping”.
I’m aware that some folks think that the comic “2000AD” has got some undercover sympathisers among its contributors, one of whom is surnamed Wagner. Well, maybe it used to have…weren’t the Muties living out in the Cursed Earth kept out of the cities because they were, well, racially incompatible with the good citizens? Now that most of the paper is in colour, it may be possible for a collector to do a quick survey as to the skin-tones presented by those who colour in those dystopic predictions of our future.
Bit of racial stereotyping got past the censor here; almost as good as “Kong”.
http://www.youtube.com/watch?v=4hdrcDDqRHk

Posted by Dan Dare on November 11, 2009, 09:07 PM | #

Talking of skin-tone, readers of a certain age (and from one side of the pond) might recall that in less constrained times your Pilot of the Future was engaged in perpetual and mortal conflict with dusky-hued savages. These invaders were supposed to have been of venusian provenance, the congoid appearance being surely merely coincidental.

This particular panel depicts the soon-to-be house Treen ‘Sondar’, but that’s by the by.

Posted by Friedrich Braun on November 11, 2009, 10:29 PM | #

Norse Mythology: Ragnarok In Norse mythology, Ragnarök Old Norse “Final destiny of the gods” is a series of major events, including a great battle foretold to ultimately result in the death of a ...

http://www.youtube.com/watch?v=INImTH2lda4&feature=rec-HM-rn

Posted by Desmond Jones on November 11, 2009, 11:43 PM | #

Always be dem Jewwwwwwwssssssssss!  Mortimer, oh my gawd, let’s destroy da Aryan vit our Jew music!  Oy vey!

Fred is right on the mark.

Adorno as Critic: Celebrating the Socially Destructive Force of Music

http://www.theoccidentalobserver.net/authors/Whitcombe-AdornoI.html

http://query.nytimes.com/gst/abstract.html?res=9B07E5DE1E31E433A25757C0A96E9C946195D6CF

Posted by Desmond Jones on November 11, 2009, 11:55 PM | #

Tin Pan Alley was essentially a Jewish industry. It’s not that it reflected a Jewish essence or expressed a collective Jewish agenda;[of course not; who would ever think such a thing] it’s just that it was simply dominated by Jews. Popular American music, which had started as a mostly German and Irish business, had by the dawn of the twentieth century fallen largely under Jewish control. M. Witmark & Sons; Charles K. Harris; Shapiro-Bernstein; Marks and Stern; Leo Feist; Snyder and Waterhouse (later Snyder, Waterhouse, and Berlin); T.B. Harms (by 1904 controlled by Max Dreyfus); Harry Von Tilzer; and Jerome Remick were among the most prominent firms of the day. And Jewish influence was felt as deeply on the creative side of the business as it was on the operations side, with songwriters such as Harris and Julius Witmark applying lessons drawn from other retailing businesses to the marketing and merchandising of songs.

The Jewishness of the business came about through neither design nor loyalty. As a middleman group composed of quasi-outsiders, Jews had a unique vantage point from which to reflect upon American culture. It was a perspective that provided an avenue to many forms of assimilation, and when it came to popular music, Jews were particularly adept at assimilating black music. Especially after the phenomenal success of Irving Berlin’s 1911 “Alexander’s Ragtime Band,” Tin Pan Alley Jews made black-style songwriting a specialty.

Jews “spinning blues into gold” has by now become a commonplace notion, but just how multifaceted and long-lived a phenomenon it was has been lost. Music publishing began to decline in the postwar period, but Tin Pan Alley caught a second wind in the late 1940s and 1950s from the rise of Jewish-owned independent record labels such as Chess, King, Modern, Savoy, Aladdin, Specialty, National, and Old Town, among others. The overwhelming presence of Jews in the indie label business of R & B (or “race records” as they were called), along with earlier Jewish composers of black-inflected song such as Gershwin and Berlin as inspirational role models, helped spawn an entirely new generation of Jewish songwriters during the late fifties and early sixties who mimicked and marketed contemporary black musical styles in an effort to produce Top 40 hits. Led initially by composers like Jerry Leiber and Mike Stoller, “Doc” Pomus, and Mort Shuman, Tin Pan Alley’s second wave would be fed by the songwriting factories at Brill and 1650 Broadway, which were peopled by Jewish boys and girls (most were, after all, essentially kids) who churned out hit after hit after hit.

The classics they wrote — “Under the Boardwalk” and “Will You Still Love Me Tomorrow?” — transcended racial divisions, appealing equally to black and white listeners.

http://www.guiltandpleasure.com/index.php?site=rebootgp&page=gp_article&id=62

Posted by the Narrator... on November 12, 2009, 03:18 AM | #

The original wasn’t that great. If I remember right it had an r2-d2 owl in it. And despite the seemingly general consensus, the special effects haven’t improved that much. 95% of the computer generated stuff just looks like cartoons.

It’s a sad commentary on our times that the 8 to 14 year-old male youth who are the target demographic for this dreck would, if asked and if not actually stumped by the question, probably respond that Perseus is the name of a well-known brand of soap powder.

Posted by Dan Dare on November 11, 2009, 10:51 PM |

In all fairness 8 to 14 years olds have never been particularly keen or knowledgeable on Greek mythology.

It’s the 20 to 80 years old demographic who know next to nothing about it that we should lament. But as we live in an age where sequels are called reboots and pointing out that a film doesn’t actually have a plot is called nitpicking, we just have to take what we can get. A movie with an all White (or nearly all White) cast is a rare thing these days.

...

Posted by Gladiator on November 12, 2009, 09:16 AM | #

So let me get this straight. Are we (the gullible audience to assume that metaphorically the good guys are right who always triumph over might).

Posted by Q on November 12, 2009, 10:01 AM | #

As a matter of fact, it seems that Hollywood is making more and more films that are primordially European in spirit.

For every one film Hollywood makes which is primordially Euro in spirit, they make 1000 that undermine the foundational aspects of European cohesion.

Here’s a prime example of how Hollywood rubs it in our face. Warning: make sure you have a puke bag in hand before watching:

‘The Blind Side’

Starring Sandra Bullock

http://www.youtube.com/watch?v=scqo1eDesc0

Posted by Tanstaafl on November 12, 2009, 10:17 AM | #

I watched the first half of Battle of Britain a few nights ago. 100% Whites, hell bent on killing each other. It made we want to cheer and puke at the same time.

Posted by Fred Scrooby on November 12, 2009, 10:27 AM | #

Regarding the film trailer linked by Q above (a film Friedrich Braun must assume was made by the Amish, the Parsees, or the Lapps, since Jews don’t do this sort of warfare in his new and improved universe):  The Jews will never stop trying to push Negroes onto whites.  It’s their racial war of extermination against their perceived main enemy, Eurochristians.  They shouldn’t be allowed to get away with anti-white racial propaganda like this film but nothing’s stopping them.  At the very least it should be done to them in reverse:  push Negroes onto Jews.  There are many ways to start doing it. 

If the Christian cross around Sandra Bullock’s neck which I think I spotted in one scene of that trailer were instead a prominently-visible Star of David you’d see a far less enthusiastic Jewish reaction to this film.  And that’s exactly the sort of thing that has to be done in fighting back against the Jewish onslaught. 

The Jews are not gentlemen.  Never expect them to act the way you’d expect gentlemen to act.  They won’t.  Ever.  They are dirty fighters, will never listen to reason, and only understand things like the reciprocal infliction of pain — so at the very least, just inflict the same pain right back on them.

(That’s right, Friedrich, this film was made by the Lapps, the Parsees, or the Amish, I forget which — you can disregard the above text)

Posted by skippy on November 12, 2009, 11:03 AM | #

I heard a NPR radio show about Jews in music, talking about tin pan alley.  At one point they were attempting to lionize jews for their ‘civil rights’ work or some such rubbish - and they said jews were organizing interracial dances in the 1940s in New York!  I did not know that!  The intention was of course to make us adulate The Jew for his saintliness, and while no doubt this would work on a large majority of NPR listeners - it shocked me to hear them let that little gem out of the bag.  Straight from the mouth of the beast - it’s just letting you know the Jew’s agenda was, is and always will be the miscegenation of White America into a cesspool

Posted by Lord Bwana the Most Unmerciful on November 12, 2009, 11:11 AM | #

The “freedom of speech” schtick has worn very thin.  I don’t come to these sites to read interminable nigger babble and jew lies!  You wonder why pro-white sites don’t increase in traffic?  Because you let in all these trolls at will.  Jesus fucking Christ.  Every week there’s a new troll coming with the latest in anti-racist, etc drivel. 

Why is it such a hard concept for you blog administrators to understand that white people want a place free of the antis and non-whites who chase us around in the real world?  If your site cannot offer a respite from that shit then don’t expect it to grow into anything meaningful.

Posted by asas on November 12, 2009, 01:05 PM | #

wow great, thanks

Posted by Milka Giordano on November 12, 2009, 01:10 PM | #

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Posted by Frank on November 12, 2009, 03:31 PM | #

the Narrator,

you write:

In all fairness 8 to 14 years olds have never been particularly keen or knowledgeable on Greek mythology.

Modified Grimm’s fairy tales and Greek mythology were some of my favourite stories as a child.

My mother gave me those two books which she’d read as a child.

Classical education in this country also used to include the ancients. I suspect you’re wrong, though further study’d be needed to have a better idea…

My parents could be described as vacuous but intelligent conservatives who wouldn’t have understood encouraging European culture let alone tried such. It was happenstance that I inherited those books.

Posted by Angry Lativan on November 12, 2009, 05:04 PM | #

The commercial success of 300 and Lord of the Rings can not have gone unnoticed by the cynical and greedy among the puppeteers, and some are willing to cash in.  They have their traitors too.

Do not underestimate the power of films, video and internet.  The older pre-video generation does not understand the modern youth, and (initially) bringing them around with books and straight history, culture and classic music is not possible.

I say be thankfull that anyone, anyhow gives the Achaeans remotely positive publicity.  The archaic Greeks ... well well, dangerous ground for the puppeteers.  White folks with no guilt, their own gods, love of freedom, forging the intellectual foundations of modernity .... for the wicked it would be better to bury these stories entirely in the details of history, no? 

I say be thankfull that anyone, anyhow gives the Achaeans remotely positive publicity.  Every flick like 300 is literally millions of white kids reading up on who the Spartans were really, and the dawning of realization that there is a real white history, their history, the incomparable history of “dead white men”.  Some of them might even progess to Plato and Socrates.

Posted by Desmond Jones on November 12, 2009, 06:39 PM | #

I watched the first half of Battle of Britain a few nights ago.

Zulu is more enjoyable.

Rhyfelgyrch Gw?r Harlech

Men of Harlech, march to glory,
Victory is hov’ring o’er ye,
Bright-eyed freedom stands before ye,
Hear ye not her call?
At your sloth she seems to wonder;
Rend the sluggish bonds asunder,
Let the war-cry’s deaf’ning thunder
Every foe appall.
Echoes loudly waking,
Hill and valley shaking;
‘Till the sound spreads wide around,
The Saxon’s courage breaking;
Your foes on every side assailing,
Forward press with heart unfailing,
‘Till invaders learn with quailing,
Cambria ne’er can yield!

Posted by the_cast_issue on November 12, 2009, 11:49 PM | #

According to this reputable website, the cast seems to be all-Aryan:

You do know that Andromeda is being played by a Jewess, correct?

Posted by Fr. John on November 12, 2009, 11:53 PM | #

Fred pointed out a FACT:

“The Jews will never stop trying to push Negroes onto whites.  It’s their racial war of extermination against their perceived main enemy, Eurochristians.  They shouldn’t be allowed to get away with anti-white racial propaganda like this film but nothing’s stopping them. “

I agree- but then, I seem to agree with MUCH of what Mr. Scrooby writes on this entry!

http://thewhitechrist.wordpress.com/2008/06/06/no-negroes-in-narnia/

In reading these ‘apologia pro CGG sua’ in this movie, I wanted to point out some things that everyone has overlooked.
Computer generated graphics are far EASIER to do, (because the COMPUTER does all the work) than the amazing eye-hand coordination of ‘claymation’ work that Harryhausen did with all those ‘Sinbad/1001 nights’ features- moreover, my children are the demographic of the ‘target audience’- and, because I don’t LET them watch all and sundry TV shows under the sun, the preview of this (like the previews of ‘300’ and the ‘Beowulf’ released last year) are FAR TOO DEMONIC/GRAPHIC/DARK/SINISTER for impressionable minds ( and souls) to watch. I DO let them watch the Harryhausen, and explain to them the cinematagraphic marvels that were made, as they are STILL scared stiff by the Giant, and the Medusa!!! Modern adolescents are jaded and demonized thereby, in ‘needing’ such visual imagery, and their 20-and thirty something confreres are merely geeks still, thinking this is ‘cool’. It’s crap, frankly.

As the Book of Psalms notes: “Keep my eyes from watching what it worthless…”.

Moreover, the ‘style’ of music for this film is mired in the NIGGER music of rock/modernity, and thus, is unacceptable as film scoring. Totally WRONG- about as wrong as watching John Malkovitch ‘act’ in “Dangerous Liaisons”- Lord, how tempero-centric THAT was!! The dialogue is also ‘too au courant’- while the earlier was stilted, at least it had BRITISH ENGLISH for the GODS.

One person’s comment about Shore’s score for LOTR is also VERY apt- it IS the best ‘Aryan’ music ever made for a film score, save perhaps Hermann’s- but then, I REALLY like Hermann- who scored the Harryhausen films, I believe- or at least, some of them…

But Shore could not have done what HE did, if weren’t for what Wagner, Vaughan-Williams, Holst, Kodaly, Bartok, etc. did for ethnomusicology, tonal language, and orchestration- and they all did it BEFORE Shore, and were ALL Aryans.

One could say ( and I will) that Shore is doing what JEWS ALWAYS DO- imitate, and copy- exceptionally well, but nevertheless, imitate and copy- NEVER Create.

THis film is a piece of garbage- I won’t view it, and I won’t LET my children view it, either.
End of story.

Posted by Dan Dare on November 13, 2009, 02:27 AM | #

Narrator - In all fairness 8 to 14 years olds have never been particularly keen or knowledgeable on Greek mythology.

I’m not sure that’s entirely the case, Classics Illustrated were very popular in their day. These two went through many reprints and probably inspired many youngsters (like me) to further explorarion.

It’s really a matter of staying as true to the source as possible while at the same time making them accessible to the young and curious. Balance is all.

Posted by Gorboduc on November 13, 2009, 05:56 AM | #

I’m glad Dan Dare remembers Dan Dare. So do I. But I can’t help thinking that Dare reported back to a sort of UN C-in-C, and I seem to remember the UN logo appearing now and then. The main enemy, the Mekon, was bright green: no race problem there, then, especially as the threat was posed to the whole earth, globally, not just to the white lands, and we could ALL cooperate.

Other strips in the old “Eagle” were less ambiguous: Luck of the Legion was a square-jawed Brirish hero, with his two faithful sidekicks, Corporal Trenet (typical Frenchman) and - was he called Bimbo? - a comical and apparently cowardly Italian, but one who always stepped up to the mark in times of stress. I remember a pic. of him confronting a rabid Arab: with one hand Bimbo wielded a hatchet, with the other he brandished a flaming torch, and he was saying “Would you like the hot stake or the cold chop?”.
The adversaries were almost always hooky-nosed desert-dwellers, much given to exclaiming “By the beard of the Prophet!”, and always cruel and treacherous to boot. The “Eagle”‘s early attempts at racial stereotyping may have inspired the contempt I feel for The Prophet’s disciples. 
(Sometimes the trio saw service in Mexico under Maximilian, or in French Indochina, showing a general acceptance of colonisation.)

But to get back to the main matter, how to, or whether even to attempt to, interest “da youf” as even white members of that class now refer to themselves, in the great classic myths: and how to make sure that what they’re getting is an authentic version. Over to the educationalists ...

Dan Dare’s most recent post reminded me of my great debt to US comic books of the kind he illustrates: I had several similar (we’re talking 1956-1960-ish here) and I was particularly inspired by a version, very possibly from the same series, of the stories of King Arthur, and the myth of the Holy Grail.

These opened up a world of mystery for me, and prepared me to undertake all 4 books of TH White’s “The Once and Future King”, which I’d read before leaving primary school, at age 11. (For anyone here, like Fr. John, with children, I make the strongest recommendation possible of this inspired set - but it needs saying that the first volume, “The Sword in the Stone” exists in two forms, with pre- and post-WWII versions. The all-in-one ed. includes the later SitS, the earlier is printed separately. I recommend it for all adults too! And of course, the transition to Malory and the other great English vernacular versions is considerably easier. At secondary school, I was introduced to Mary Renault’s great retellings of Greek tales, among which “The Bull from the Sea” and “The King must die”, a bipartite version of the Theseus myths are absolutely outstanding.

But there wasn’t just “Eagle” - on a lower level comics like “The Topper” ran simplified serialisations of great classics, and I first encountered Scott’s “Rob Roy” and Dickens’ “David Copperfield” in its pages; they also ran a weekly feature on things like European folk customs, British regimental badges, heraldry, traditional proverbs and so on. I suppose that if such a paper now existed, it’d be running Anansi stories ...

I was going to run on about modern myth-makers, but I’ll just ask if anyone has read “Emphyrio” by Jack Vance - he has an amazing gift for inventing amazing new (and old) worlds, but “Emphyrio” seems particularly noticeable in that it depicts a society of artist-craftsmen who despite their great abilities are kept poor by a sort of overclass who secretly exploit the workers by manipulating against them a system of guild membership and “ancient” traditions which the workers are led to believe are of their own ancient institution.
The minute and reclusive but all-powerful overclass (of the sort described in Clute and Nicholls “Encyclopedia of Science Fiction”, (q.v.) as a “pariah elite” - good phrase for a certain community!) is eventually detected as being not properly human and is eventually overthrown… other Vance books, notably the “Demon Princes” series chew over the problem of humans versus humanoids - give them a try. Vance depicts societies which are unaware of their own degraded and moribund nature until an inspired individual realises what’s wrong and applies a somewhat violent solution… (The “Ency. of SF” contains a wealth of historical, cultural, scientific AND POLITICAL info. and is worth getting and studying carefully)

Fr. John, I TOTALLY agree with your use of the word “demonic” in castigating the CGI presentation: the old methods were clunky but they were nuts-and-bolts and hence real, whereas the newer ones seem to involve the viewer in a sort of alternative virtual reality - a sort of hypnosis or drug dream.
A good magic/conjuring show involves brilliant engineering and sleight-of-hand and anyone in their right senses would prefer to enjoy a show based on that rather than on actual demonic interference!
(I remember a “Scorpion” letter c. 1986 in which a dark-fantasy store in London - which someone had bigged up in a previous issue - was dismissed as purveying “electro-demonic nihilism”!)

I did enjoy “300”: but a young WN with whom I watched it said “Easy! Sparta is Israel, Persia is the rest of the world.” It’d be interesting to see what the Jerusalem Post etc. said about it.  And it didn’t really show the plight of the Helots…

Posted by Frank on November 13, 2009, 06:22 AM | #

Dan Dare’s most recent post reminded me of my great debt to US comic books of the kind he illustrates: I had several similar (we’re talking 1956-1960-ish here) and I was particularly inspired by a version, very possibly from the same series, of the stories of King Arthur, and the myth of the Holy Grail.

Guard the children, America’s comics are pure anti-white prop nowadays.

Interesting comics got you interested in books. I didn’t discover comics until recently (few years ago) as a culture war medium. I’ve enjoyed the Japanese Naruto series for having good values (e.g. encouraging tribalism and rejecting globalism), though the author seems to like some sort of Salteresque universal nationalism and recently added in a negro main character who raps while he fights…

Other than that one comic, I haven’t seen much else that’s good.

I was reading LotR and Narnia and King Arthur etc. in elementary and middle school (went to a really good elementary school - would study ~6 hrs a day for homework - ah was top of class too, wasn’t an idiot) and then I hit middle school and discovered coolness, lol. I never looked back until college…

Posted by Frank on November 13, 2009, 06:33 AM | #

In my own experience, I suspect my early education was largely a remnant of Old America.

I wasn’t allowed to watch TV much, I played sports (and still did through highschool), and was totally oblivious to the propaganda outside.

When I have children, I want to raise them in just such an environment - and keep them from falling into the mystical “coolness” of mass culture until they’re old enough to act for themselves.

I had a pleasant high school life, but I look back and my time in high school was pure play. I learned… nothing. I got by on the foundation I’d had from elementary school I suspect, lol. I’d learn a bit, but I mostly just did what I could to get an A or B, and that’s not much at all.

It was a complete waste of my time and my parents’ money.

Posted by Gorboduc on November 13, 2009, 06:44 AM | #

Talking of Culture Wars, Frank, what do you make of this/

http://www.culturewars.com/

Posted by Amazing on November 13, 2009, 06:49 AM | #

“In fact, I would simply zap “David’s” swill.”

Good old Scroob. Go on, GW, oblige him, as you do.

The collective race soul demands it.

Posted by Gorboduc on November 13, 2009, 07:07 AM | #

Just my luck!
I clicked onthis:

http://www.newkadia.com/?Comics=835|11

as a possible source of info on the Classics Illustrated US series, and first came on ... UNCLE TOM’S CABIN!

One in every barrel, I suppose.

However, that fired up a memory, and in “The Letters of Charles Waterton, Squire of Walton Hall, Lancs.” ed. R.A Irwin (Rockcliff, London 1955) I found Waterton, (a redoubtable Catholic controversialist and naturalist -and a pioneering ecologist, and a great eccentric to boot) writing in 1853 to a friend:

  Mrs. Beecher Stowe…has the art of humbug at her finger-ends. I was in Leeds the other day when she was to receive money and thanks at a public meeting from the Mayor of the Borough. I was invited to the farce but would not go. Having once just dipped into that lying romance Uncle Tom’s Cabin, I soon saw that it is a made up book, and am sure that it contains much of the old trash in a new dress…I strongly suspect that Mrs.Stowe is not the entire author of Tom’s Cabin. There have been more hands and heads than one or two at work on it.

Posted by Fred Scrooby on November 13, 2009, 09:18 AM | #

This isn’t a snide pro-race-replacement site, “Amazing.”  As both you and “David” are snide race-replacement advocates both your and his comments should be deleted.  Commenters here argue all the time with morons, psychos, dementia patients, Downs patients, the criminally insane, and assorted other defective types who come here thinking they can argue for race-replacement.  By and large those posts can stay up:  they’re written extremely defective human beings who sincerely though, in view of their illness, tragically imagine they can logically advocate for forced race-replacement here.  But you and “David” aren’t in that category:  you put forth your race-replacement advocacy not as argument but as pure snideness.  Do that at the Daily Kos of the Huffington Post, not here.  Yes, GW should zap you both. 

Drop dead.

Posted by Selous Scout on November 13, 2009, 11:28 AM | #

The French do comics (BD) quite well. I have in my book collection several volumes of French graphic novels related to the French Foreign Legion, Africa, Charles de Foucauld, and the French Empire.

Space Pirate Captain Harlock, a Japanese anime character, whose personal philosophy might appeal to Nationalists and racialists. The future setting in the Captain Harlock movies (Space Pirate Captain Harlock, Arcadia of My Youth, Harlock Saga, Gun Frontier, Endless Odyssey) resembles our own, in a way. The Harlock character has a following in European far-right circles today:

http://en.wikipedia.org/wiki/Captain_Harlock

Another classic, Corto Maltese. Not really a nationalist character, some of the books depict Corto bedding non-white women. One of the volumes features the White Russian general Roman Ungern von Sternberg, the anti-Semite and anti-Bolshevik fighter. The Corto character is also popular among the European far-right:

http://en.wikipedia.org/wiki/Corto_Maltese

And then of course there’s Tintin.

Posted by Lord Bwana the Most Unmerciful on November 13, 2009, 11:30 AM | #

Yes, GW should zap you both.

Drop dead.
-Fred Scrooby

Seconded wholeheartedly and without reservation.  These pukes are exactly what I was complaining about in my comment above.

Posted by Frank on November 13, 2009, 02:30 PM | #

Gorboduc,

His one redeeming quality for the far right is he doesn’t trust Jews…

-

The Hispanic Challenge and the Logic of Empire

As an alternative to the racial theories of the “judeo-saxon pig lords of America,” Gerald E. Morris and Juan Armando Roque propose the example of the San Patricio Battalion, a group of Irishmen who began the Mexican War of 1846 fighting for the United States, but as a result of religious bigotry, switched sides and fought with their Mexican co-religionists. Captain John Riley was eventually captured and hanged as a traitor, and his example was used by the know-nothings to show that Catholics could not be trusted as Americans, but in many ways he was only acting according to the principles which Samuel Huntington articulated in his Foreign Policy article. If being an American means being an Anglo-Protestant with a bad case of Judeo-Puritan messianic politics, then Catholics have no choice in the matter. They have to be traitors because America is not a country; it is a competing religion. Jimmy Cantrell, a Culture Wars reader and exponent of the “Celtic South,” makes a similar point by claiming that

Gotta love how the “Celtic South” is used to divide the US… I’m a Southron and mostly a Celt etc. btw, but I haven’t fallen for this divide and conquer BS. I’m an American and WASP too.

Jones is dishonest and a traitor who ought to be deported to the Vatican, or Mexico (his choice). Not all Catholics deserve such, but he does - ah as do many Reformed who seem to prefer Israel and Africa.

Posted by Dan Dare on November 13, 2009, 02:41 PM | #

Gorbo’s post prompted me to go up topside and dig out my last surviving ‘Eagle’ annual, the ‘Best of, 1951-59). What impresses from a quick dekko is the consistency of the role models that are presented. The heroes are, to a man, lantern-jawed Anglos of rugged handsomeness, manfully aggressive but also humourous and good-natured, kind to animals, soliticious of little people and kind to ladies. To paraphrase a contemporary icon: ‘Resolute in war, defiant in defeat, magnanimous in victory’.

The stark contrast with present-day youth role-models (eg Dizzee Rascal et al) brought to mind a graphic which appears in Eric Kaufmann’s The Rise and Fall of Anglo-America, depicting the change in children’s exemplars from 1900 to 1960. If the curves were to continue to the present, it wouldn’t be surprising to see the ‘National hero’ plot tending to zero.

Besides the Pilot of the Future, PC49 was also a popular favourite in the Eagle. Able to police his city beat without the need for a taser or a Heckler & Koch, and rarely needing to draw his truncheon, his speciality was feeling the collars of local villains such as the dull-witted Mulligan Twins, more often than not nabbed with the swag in hand. “It’s a fair cop Guv.”

Nary a Yardie or Paki heroin dealer in sight.

PS It was ‘Bimberg’, not ‘Bimbo’.

Posted by Frank on November 13, 2009, 04:17 PM | #

Gorboduc,

Kalb is a favourite Catholic American of mine, and you’re surely aware of Chronicles.

I’m very much in favour of community and Jones’s sense of racialism, but such things can exist within nationalism. And Jones is clearly not dual loyal to the Catholic Church and America but singularly loyal to the Church.

He’s part of just another group that wishes to see America ethnically cleansed from the face of the Earth, and forgotten.

Posted by Gorboduc on November 13, 2009, 05:33 PM | #

Frank, my internal jury - skull and heart - is still out on that one.
Today I had lunch with an Italian friend who told me he was attacked for his catholicism by US WN WASPS - “We think you’re a Mexican, or you count as one.” I think that the South had a large numberof \catholic officers; the old Catholic Encyclopedia has much info on that.
Thankyou for Kalb etc.: new to me. I live and learn.
How does this strike a Southron?
http://www.freerepublic.com/focus/bloggers/2177127/posts

Posted by Fred Scrooby on November 13, 2009, 05:48 PM | #

”Kalb is a favourite Catholic American of mine”  (—Frank)

For any who don’t know him:  A recent interview with Kalb:

http://www.ignatiusinsight.com/features2009/jkalb_interview_nov09.asp .

The speech he delivered two weeks ago at the Menken Club Conference:

http://turnabout.ath.cx:8000/node/2819 .

His book, The Tyranny of Liberalism:

http://www.isi.org/books/bookdetail.aspx?id=382d08f6-153e-4eb3-ae56-c8c192d8050a .

His classic essay, “Anti-racism”:

http://turnabout.ath.cx:8000/node/1447 .  (Kalb never mentions race any more, I don’t know why.)

Like Guessedworker and Friedrich Braun, as well as Mark Richardson, Lawrence Auster, Prof. Paul Gottfried, and many others, Kalb sees liberalism as the explanation of what’s wrong.  A number of those who hold that view feel the wrong turn was taken centuries ago, as long ago as English philosopher John Locke for example.  Some feel it was even further back, all the way to the end of the middle ages. 

I used to agree with Kalb and Auster.  I now feel there’s no such thing as liberalism, any more than there was in 3000 BC or will be in 3000 AD, and the mess we’re in is the result of tribal and class warfare.  I see the “liberalism” theory as Ptolemaic:  epicycles on epicycles on epicycles.  I find it also impossible to understand.  Tribal warfare and class warfare on the other hand are transparently simple, direct, and parsimonious, and instantly understandable.

Posted by Captainchaos on November 13, 2009, 06:14 PM | #

Gorboduc,

If Italian and mestizo Catholics are trend setters in harmonious inter-racial living that is news to me.  To my eye Italians are some of the most outspoken on the matter of illegal immigration and the demand that Mexicans speak English.  In my neck of the woods, western Michigan, there are not many Italians to speak of, what we have here of White Catholics are Polish - and they don’t much like Mexicans either.  The White Christian experience in America is predominantly Protestant and Northwestern European, that is especially true in my area, and I’d like to keep it that way.  The world is a big place, surely we are entitled to a piece that is our own.

Posted by Cato on November 13, 2009, 06:59 PM | #

I’m with Fred and Lord Bwana the Most Unmerciful! Ban, ban, ban! Zap! Razib at GNXP and the Scroob at MR - it’s what they have in common. Delete, froth, slander! Bridge your differences through the joy expressed in mutual censorship, sayeth I. The movement will go forward through comment banning and movie reviews! It is a novel approach, the type of critical thinking MR is known for, but do not critimacize because deep thought has gone into it. Meta-thought.

Statler. Waldorf. Fred Scrooby. Sharers of the collective race soul.

Posted by Fred Scrooby on November 13, 2009, 07:22 PM | #

Who’s been zapped so far, retard?  Not you under any of your names, because I don’t run the blog otherwise the garbage would’ve been emptied long ago. 

You have something to say?  Say it.  You want to advocate for planetwide forced race-replacement of whites?  Do it.  Or STFU and Get TF Out of Here.

Posted by cato on November 13, 2009, 09:53 PM | #

If whites consist primarily of old men of mixed heritage who speak like subliterate 12-year-olds raised in the culture of the Kwa, all blustery and foul-mouthed and weird, then yes, I see no great loss in their replacement.

“The Scroobs are not gentlemen.  Never expect them to act the way you’d expect gentlemen to act.  They won’t.  Ever.”

Posted by Mark on November 13, 2009, 10:14 PM | #

Interesting thing about these movies based on ancient Greeks and Romans, and their mythologies, they typically use actors of Northern European descent to play the roles.  An improvement I think!  Kemp would agree.

This new one looks to have a high production value, lots of CGI, but how will the dialogue, acting and story be?  These new movies tend to be high on flash and low on substance.

One thing about period pieces at least, they’re typically all white.

Posted by Frank on November 14, 2009, 12:27 PM | #

Gorboduc,

I fear you’ve misunderstood me. I was not bashing Catholics. Jones is an American genocider who happens to be Catholic. That is all.

That article of his was 27 pages printed. It’s worth reading. The beginning part can be skipped over - it’s purpose is mostly to win over the reader.

I’ve never heard of WN attacking Catholics, and rarely anyone at all; but the Catholics in this country, like the Reformed, are prone to believing Christ laid the foundation for Babel.

Posted by vo on November 14, 2009, 12:36 PM | #

I was sort of familiar with Harryhausen’s “Jason and the Argonauts” when my wife introduced to me “Clash of the Titans.” She and her brother loved the Leviathan-like ‘Kracken’ character as kids. I’m not extremely psyched for the new version. Looks as ‘revolutionary’ as the latest Star Trek movie, possibly fun.

Posted by Aistulf on November 14, 2009, 02:10 PM | #

Interesting thing about these movies based on ancient Greeks and Romans, and their mythologies, they typically use actors of Northern European descent to play the roles.

That’s because many Southern Europeans are not Aryan.  The ancient Greeks and Romans were.  Modern Greeks and southern Italians possess a fair amount of negritised Semitic ancestry.  That’s why they, in general, resemble Jews and Arabs.

Posted by Fred Scrooby on November 14, 2009, 03:22 PM | #

“Jones is an American genocider”  (—Frank)

Do you mean E. Michael Jones is a race-replacement advocate?  (Forgive me, I’m not familiar with the guy’s stuff but it certainly wouldn’t surprise me.)

Posted by Frank on November 14, 2009, 03:40 PM | #

Fred,

read that article of his. I’ll post some more quotes from it shortly.

Some of what he says though is good.

What I don’t like is this: 1. he’s saying American nationalism is idolatry and Catholics can have none of it. 2. he’s creating a beastly monster, a monster I don’t like, and then tarring us all as being identical.

Imagine Jones is white, I’m pink, and William Pierce is red. Jones is saying I’m red, and I’m calling him dishonest.

Posted by Frank on November 14, 2009, 04:18 PM | #

Ah, Pierce isn’t the only target. He also doesn’t like Puritans and the Enlightenment and the Reformation and he’s doing the usual Catholic brush stroke of painting us all together as identical and the same.

On some level I can understand I suppose, since I’m apt to view… certain groups as near identical to others. Regardless of whether his conduct is appropriate, he wants “race replacement”. And I don’t like that, and as I said I don’t like being misrepresented.

Another Catholic: Medaille denies race even exists… I don’t think Jones is so dishonest as that at least, though I could be wrong.

-

The Romans were driven from Britain by the Picts and Scots, and the empire will be driven from America. Death to leviathan, and expel those who give it aid! I don’t see a difference between a Sodomite empire and an empire ruled by a man in a funny hat. Catholics and Reformed are free to live within whatever remnant America survives, but treason is not tolerable.

Posted by Jacko on November 14, 2009, 06:32 PM | #

The Russians have some good nationalist very European looking cartoons with Aryan characters
http://www.youtube.com/watch?v=jt3xSoXdhbQ
http://www.youtube.com/view_play_list?p=C04338E113769D26&playnext=1&playnext_from=PL&v=7Y17hzD2ymE

However I could not get any English version of the movie.

However this one below has sub-titles and is quite funny
http://www.youtube.com/watch?v=HULUEK0PkbU
http://www.youtube.com/watch?v=c2emcWHVULE&feature=related

Will Russia be the last refuge of the White race? How about a White nationalist Russia invading the rest of Europe. Will the parasites living in Europe stay and fight or run off once the Russian shells starts landing near them. Do they love the land of Europe enough to fight and die for it? Not likely.

And do not forget to check out these movies
Russian Ark
http://www.youtube.com/watch?v=J—TDEHizVA
1612
http://www.youtube.com/watch?v=1VKkc1CVSAc
Viy
http://www.youtube.com/watch?v=934gMyn-uP0&feature=related
Taras Bulba
http://www.youtube.com/watch?v=GZHA9tHvzCk&feature=related
Great Northern War
http://www.youtube.com/watch?v=Bo20Dt8nwD4&feature=related
Turkish Gambit
http://www.youtube.com/watch?v=NGu-_7PnBgA&feature=related
Statskiy sovetnik
http://www.youtube.com/watch?v=Y65dGDY8y5k&feature=related
Admiral Kolchak
http://www.youtube.com/watch?v=IESTueKuCDk
Alexander, Battle of the Neva
http://www.youtube.com/watch?v=PdyZKx57sNc

And did anyone check out the Red Baron?
http://www.youtube.com/watch?v=Er—DLaG7SM
Can someone help me get the English versions of those Russian movies? It is strange how hard it is to get these in the West. As if they have been blanked out by the media here. Besides the Poles have their own movie industry. Maybe worth a look.
http://www.polandbymail.com/get_list_188.htm
http://www.polandbymail.com/get_list_195.htm
http://www.polandbymail.com/get_list_583.htm

Of course some of them may be Jewish directed crap but I am sure there are gems there.

Posted by jamesUK on November 14, 2009, 10:17 PM | #

Will Russia be the last refuge of the White race? How about a White nationalist Russia invading the rest of Europe. Will the parasites living in Europe stay and fight or run off once the Russian shells starts landing near them. Do they love the land of Europe enough to fight and die for it? Not likely.

Are you George Freidman at Stratfor?

And why would Russia want to invade Europe when with the SCO countries holds the largest reserves of oil and gas for the future of Europe.

More likely, infact it is certain the EU and US under the NATO banner will attack Russia as thety are already preparing for war.

A WN government would collapse in on itself especially a multi ethnic state like Russia same goes for the US. 

What about Ukraine thats a Ukranian WN government thought of emigrating there? (apart from the Crimea where they support the Crimean Tatars which is a shame because it looks like Malta who the regime is trying to Islamize along with the US and Mossad)

Suprised no one has talked about the new Call of Duty 4: Modern Warfare 2 game.

http://en.wikipedia.org/wiki/Call_of_Duty:_Modern_Warfare_2

Posted by Wandrin on November 15, 2009, 06:39 AM | #

Fred

At the very least it should be done to them in reverse:  push Negroes onto Jews.  There are many ways to start doing it.

Agree. Copy their tactics and use them in reverse.

Latvian

Every flick like 300 is literally millions of white kids reading up on who the Spartans were really, and the dawning of realization that there is a real white history, their history

Yes i agree. They may be intended as otherwise e.g allegories on Israel vs Iran or attempts to undermine Christianity but for all those White children growing up as a minority with enemy PC teachers then every little respite helps.

Jacko
Interesting links.

Posted by the Narrator... on November 15, 2009, 08:00 AM | #

I’m not sure that’s entirely the case, Classics Illustrated were very popular in their day. These two went through many reprints and probably inspired many youngsters (like me) to further explorarion.

It’s really a matter of staying as true to the source as possible while at the same time making them accessible to the young and curious. Balance is all.

Posted by Dan Dare on November 13, 2009, 06:27 AM

Fair enough. But it doesn’t seemed to have rubbed off on too many of that generation. That or they simply feign ignorance of it.
In my own generation, we grew up watching the original Clash of the Titans on HBO over and over and it really didn’t do much there either. (I preferred Krull and Dragonslayer at that age, personally)
Most of the people my own age know very, very little about Greek, or even European, mythology. I’m far from a scholar on it myself.

But to really engage in something like that you really have to want to. And that kind of desire for specific knowledge doesn’t usually occur until the post 21 age range.

...

Posted by Frank on November 15, 2009, 08:12 AM | #

But to really engage in something like that you really have to want to. And that kind of desire for specific knowledge doesn’t usually occur until the post 21 age range.

Some children still read… and myths are entertaining.

It’s only a question of what’s put in front of the children.

Posted by Q on November 16, 2009, 07:25 PM | #

Pro white Vid?

http://www.youtube.com/watch?v=6j7huh5Egew

Posted by Templar on November 16, 2009, 09:43 PM | #

Moreover, the ‘style’ of music for this film is mired in the NIGGER music of rock/modernity, and thus, is unacceptable as film scoring.

You don’t know that. All we’ve seen thus far is this one teaser trailer, and it’s not uncommon nowadays for those to feature some sort of pulse-thumping rock music even when the film itself is scored entirely traditionally.

Posted by Hannibal Coon on November 18, 2009, 10:05 PM | #

I remember watching the original while underway. When Andromeda steps out of the bath a black guy yells “she ain’t got no ass”. I suggested that he should request something from National Geographic for the next night. It was an instant fight with every black dude in the room. Therefore, I will always prefer the original.