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Mycenaean Wiggers: Who Got Game?Having contributed one article praising the militaristic animus behind black rap music, I find myself falling deeper and deeper under the spell of these slave-descended word-smiths. Indeed, as some members of the Commentariat prudently forsaw, once I started down this path, there was no way to halt my descent into a drum-bashing, rhythmically funktastic rhyme-coma: even now, I am afraid I may be lost to madness. I started making up words like “Afropocalypse” and it’s adjective, “afropocalyptic”. I declared that London had become an “Afrotropolis” and feverishly day-dreamed that all of history had been rewritten by Afrocentric maniacs: how they claimed Negrothoven had written his famous 9th Symphony, the Negrode to Joy, after Niggpolean almost subdued the continent through force of arms. I then awoke, still in the grip of this strange mental sickness, and began translating rap lyrics into homeric Greek. Insane in the ????, insane in the ????. I then started work on a Rap version of Homer’s Iliad, which may be the most ill-conceived undertaking in the history of literature. Here is my translation of the famous passage where Agamemnon refuses to give back Chryses’ daughter, who he captured during a raid: ?? ?? ??? ?? ??????? ???????? ??? ?????? ????? All that voodoo shit you hit with, priest-nigga Oh my god, I just vomited on myself, some of it went on the keyboard now I have And the Greeks were whiggers as well- borrowing the Phoenician Alphabet and imitating oriental artwork and pottery, also borrowing the Kouros style from Egypt which later became the forerunner of the cherished Greek statuary. This Greek poetry finally got written down because of some whiggerized person, borrowing Phoenician symbols. The central question of my analysis is always who got game? Inventions come and go, through chance strokes of luck or genuine brilliance, and you have to steal them from your neighbors without disclosing your own secrets, that’s the key. I wrote a rap song about it, here goes: Script Pimpin’
Achaean Wiggas Representin’ in 800’s and the 790s! Since the days when Olympian torch first lit Yo nigga, I like yo writing system It was the Dark Ages, so no one was lookin’ But yo’ shit, that’s dope- Now that old shit is dead Wigga, come to Ionia, we got it all And all this shit is gonna be written down Yeah Yeah, Bronze-Age Dons, P Frolic, lil’ Eph Where my barbarbic Macedonians at? You niggas can hold our cloaks. [fade out] Posted by Potential Frolic on Monday, February 12, 2007 at 05:39 PM in Comments:2
Posted by Andy Wooster on February 12, 2007, 09:11 PM | # I then started work on a Rap version of Homer’s Iliad, which may be the most ill-conceived undertaking in the history of literature. Indeed. If I never see another post rap-related post it will be too soon.
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Posted by Robert of the Rohirrim on February 12, 2007, 09:26 PM | # The Iliad set to rap. PF, you are one crazy mofo, my nigga. Tell you what, set Homer to some music, using correct meter and pitch, and let’s see how it sounds. If it sounds good, then maybe you’ve got a winner. Otherwise, you’ve merely taken something supremely beautiful and sublime and mixed it with excrement. 4
Posted by Al Ross on February 12, 2007, 09:29 PM | # Agreed Andy. Rap references prompt a question posed by Dorothy Parker (that Jewish mistress of verbal prestidigitation) whenever her telephone rang : “What fresh Hell is this”? Next entry: Radio! Previous entry: Hyperinflation Potential: Paul Craig Roberts Asks the Question |
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Posted by Melba Peachtoast on February 12, 2007, 08:26 PM | #
Ohhhh! PF darling DARLING you can waltz THIS Matilda anytime. Come down Outback and I’ll have you serenade my wallies. If you’re a naughty lad I’ve a pouch I might do show you. But usually it takes some red wine to get Melba peachtoasted enough to let her girlish modesty slip. So bring some won’t you?