Black history ‘stolen’ in Birth of a Nation, ‘re-appropriation’ in Guess Who’s Coming to Dinner?

Posted by DanielS on Monday, 10 August 2015 10:53.

Bill Cosby, serial rapist (of White women), narrates the documentary film, Black History Lost, Stolen, or Strayed, 1968.

...it opens with Cosby talking in an integrated classroom setting.

My 5th grade class (10 year olds) was shown this black power film in our own integrated public school classroom. Rather than react in guilt, however, I felt anger at the attempt to impose guilt trips and black interests upon me as a White kid, as I felt no historical debt to them whatsoever and I knew that I wanted nothing to do with blacks (i.e., especially for having experienced them).

In one part of this attempted indoctrination film, Cosby, of all people, criticizes and summarily dismisses D.W. Griffith’s “Birth of the Nation” as a movie made among other reasons to present justification for protecting White women from Negro men.


        kkk
White woman jumps off cliff to get away from Negro in “Birth of a Nation”

After The Birth of A Nation era, an intermediate stage of media stereotypes for blacks is cited by Cosby - the minstrel characters such as the cowardly and obsequious “Step and Fetch It”...

        stpenfetch
Step and Fetch it, a false stereotype sold to lull complacency in conservatives.

...and the “Sambo.” For those familiar with blacks, these Jewish promoted stereotypes of blacks, as silly and benign, were the opposite of comforting. They were recognizable as misleading in regard to the danger of blacks. How many people had violence done to them, lost their daughters or even lost their lives for treating blacks as if they were “funny” and not street-wise predators?

        pokechops

The very popular “Our Gang Comedy”” featured a Sambo character, “Buckwheat” (later parodied by Eddie Murphy). While the rumor that Cosby bought up the rights to Our Gang Comedy to keep the racial stereotype off television may not be true, there can be little doubt from the documentary that the little Sambo character did not appeal to his sensibilities.

Our Gang Comedy was also a Jewish production, which had no qualms in making Whites look tactlessly condescending to blacks.
ourgang      buckclaps

        sambo

        cosby
“They stole it from me and therefore..
        watermellon
...I take what I should have

Note the obvious Jewish narrative and suggestions that Cosby is imparting…

Cosby:

“The black people in this country got a bum deal for a long while and it won’t hurt much if we see a little of this (a positive stereotype of blacks… presented as upright and entitled to White women on principle). Stanley Kramer (Jewish) has (been so kind as to) let us use some scenes from ‘Guess Who’s Coming to Dinner?.’ You look at these and remember Birth of a Nation.

Those words could have been scripted exactly under the production and direction of Stanley Kramer…

Cosby:

“Katherine Hepburn and Spencer Tracy are the girl’s parents.”

                 
        hepburntracy
Scripted anti-White propaganda..

Hepburn (says to Spencer Tracy with stern authority): “She’s twenty three years old and the way she is is just exactly the way we brought her up to be. We answered her questions, she listened to our answers. We told her it was wrong to believe that the White people were somehow essentially superior to the black people… or the brown or the red or the yellow ones for that matter. People who thought that way were wrong to think that way. Sometimes hateful, usually stupid but always, ALWAYS WRONG. That’s what we said.  And when we said IT we did NOT add that don’t ever fall in love with a colored man.

Cosby:

“or where Sidney tells it like it is to his “old man” (ebonics for “father”)

        poitier

Poitier: YOU AND YOUR WHOLE LOUSY GENERATION BELIEVE THAT THE WAY IT IS IS THE WAY ITS GOT TO BE! And not until your whole generation has lain down and died will the dead weight of you be off our backs! Do you understand you’ve got to get off my back! (softens) Dad, you’re my father, but you think of yourself as a colored man. I think of myself as a man.

        coming to dinner
Hence, we see here a mixture of Kramer’s jewish motives and screenwriter William Rose’s White objectivism combining for a catastrophic propaganda: self righteous, anti-White destruction.

        rearview                 
Symbolically, Hollywood’s first interracial kiss (sickening) is in a rear-view mirror, as if taken for granted , as if to say that “we’re all beyond being against that.”

“Guess Who’s Coming To Dinner?” took the Jewish initiative and set the agenda to mainstream miscegenation. With their pseudo innocence pandered to, their disingenuousness encouraged by having their palms greased, objectivists aided, abetted and exacerbated it. Objectivism is exemplified ad nauseam in the scripted arguments of Hepburn and Poitier.

Of note, the script for “Black History, Lost, Stolen or Strayed”, was written by Andy Rooney, the Shabbos Goy who gained notoriety for his not funny little cultural commentaries segment at the end of the very Jewish, very Zionist TV “news” magazine show, “60 Minutes.”

                     

I had always been mystified as to why we were supposed to listen to Andy Rooney. Now we know ever more clearly that he was serving the agenda of the media “tribe”


60 minutes, produced by Don Hewitt..

wikipedia
Hewitt was born in New York City, New York, the son of Frieda (née Pike) and Ely S. Hewitt. His father was a Jewish immigrant from Russia, and his mother’s family was of German Jewish descent.[1][5]

..and featuring the very Jewish Mike Wallace (who came to public awareness as “a serious news reporter” in presenting “The Hate That Hate Produced”)

From Wikipedia:
Wallace, whose family’s surname was originally Wallik,[1] was born in Brookline, Massachusetts,[1] to Russian Jewish immigrant parents,[1][2] Frank and Zina Sharfman Wallace.



Comments:


1

Posted by license and medal of rape on Tue, 11 Aug 2015 06:42 | #

City News Service

President Barack Obama said this week there is no “mechanism” for revoking the Presidential Medal of Freedom that was awarded 13 years ago to comedian Bill Cosby, who has been accused by more than 40 women — including some in Southern California — of sexual misconduct. Cosby received the honor in 2002 from then-President George W. Bush. In light of the accusations against the comedian, Obama was asked if he would consider revoking the honor.

“There’s no precedent for revoking a medal,” he said. “We don’t have that mechanism. And as you know, I tend to make it a policy not to comment on the specifics of cases where there might still be, if not criminal, then civil issues involved.

“I’ll say this: If you give a woman — or a man, for that matter — without his or her knowledge, a drug, and then have sex with that person without consent, that’s rape,” the president said. “And I think this country, any civilized country, should have no tolerance for rape.”

Cosby, 78, has been accused by more than 40 women of sexual misconduct, including allegations by many that he drugged and raped them in incidents dating back more than four decades.

 


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Posted by Black Lives Matter/institutionalized anti-racism on Tue, 11 Aug 2015 12:01 | #

Institutionalized anti-racism:

It almost looks like a game on the part of our enemies to play both sides:

1. They have Soros sponsored “Black Lives Matter” appear to “harass and apply pressure” to Bernie Sanders, disrupting a speech of his.

2. He comes back, “having no choice”, but to announce a plan to redress “institutionalized racism.”

That would be typical Judaic shenanigans.

Of course IT IS ANTI-RACISM WHICH HAS BEEN INSTITUTIONALIZED.

                     

Following events disrupting his speech by by “Black Lives Matter”

Bernie Sanders left before giving an anticipated speech in Seattle when the event was disrupted by activists claiming to be affiliated with the Black Lives Matter movement, who took over the stage, the Seattle Times reports.

WATCH: Bernie Sanders reveals detailed plan to combat institutional racism and inequality at Portland rally - Roxanne Cooper

In front of a crowd of 28,000 in Portland, Oregon — his largest gathering of supporters yet — 2016 Democratic presidential contender Senator Bernie Sanders announced a comprehensive plan on fighting for racial justice in America.

He has to do it now, “has no choice.”

“We must pursue policies that transform this country into a nation that affirms the value of its people of color. That starts with addressing the four central types of violence waged against black and brown Americans: physical, political, legal and economic,” the platform reads.

The plan comes one day after Sanders was interrupted by self-identified “Black Lives Matter” protestors in Seattle.

In the platform, Sanders specifically addresses the recent violence and death experienced by black Americans that has galvanized the “Black Lives Matter” movement:

  Sandra Bland, Michael Brown, Rekia Boyd, Eric Garner, Walter Scott, Freddie Gray, Tamir Rice, Samuel DuBose. We know their names. Each of them died unarmed at the hands of police officers or in police custody. The chants are growing louder. People are angry and they have a right to be angry. We should not fool ourselves into thinking that this violence only affects those whose names have appeared on TV or in the newspaper. African Americans are twice as likely to be arrested and almost four times as likely to experience the use of force during encounters with the police.


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Posted by Written by Shabbos Goy Andy Rooney on Wed, 12 Aug 2015 05:57 | #

Of note, the script for “Black History, Lost, Stolen or Strayed”, was written by Andy Rooney, the Shabbos Goy who gained notoriety for his not funny little cultural commentaries segment at the end of the very Jewish, very Zionist TV “news” magazine show, “60 Minutes.”

                     

I had always been mystified as to why we were supposed to listen to Andy Rooney. Now we know ever more clearly that he was serving the agenda of the media “tribe”


60 minutes, produced by Don Hewitt..

wikipedia
Hewitt was born in New York City, New York, the son of Frieda (née Pike) and Ely S. Hewitt. His father was a Jewish immigrant from Russia, and his mother’s family was of German Jewish descent.[1][5]

..and featuring the very Jewish Mike Wallace (who came to public awareness as “a serious news reporter” in presenting “The Hate That Hate Produced”)

From Wikipedia:
Wallace, whose family’s surname was originally Wallik,[1] was born in Brookline, Massachusetts,[1] to Russian Jewish immigrant parents,[1][2] Frank and Zina Sharfman Wallace.


4

Posted by of a White daughter murdered on Fri, 14 Aug 2015 11:27 | #

Post-Conviction Relief— Kyle Bristow
August 13, 2015

Jack Schoenherr was a soft-spoken and introverted Michigan attorney who had practiced almost exclusively in the area of criminal defense over the course of his twenty-two year legal career.  He swore to uphold and defend the Constitution of the State of Michigan when he was sworn in as a lawyer all those years ago, and he swore to uphold and defend the Constitution of the United States every time he sought admission to a federal court.

Prior to attending law school, he had graduated with a degree in philosophy from the University of Michigan, and he had spent much time during his legal career safeguarding the rights of people who had been charged with crimes.  As an attorney and as a self-styled “armchair philosopher” who read classical texts of Western civilization as a hobby, Jack knew better than most why due process and ordered liberty are sacrosanct to the human experience, and he was well aware of his oath as an officer of the court.

But now Jack Schoenherr could not care less of his ethical obligations, the law, or his former philosophical musings about the purpose of justice being about the rehabilitation of his clients, because his only child—sixteen-year-old Caroline—was murdered by an eighteen-year-old, tattoo-covered, drug-abusing gangbanger named Tyrone Washington a year-and-a-half ago to the day, and since then, Jack’s wife—Claire—had untimely passed away due to heart failure.  The doctors had told him at the hospital that his daughter’s murder had caused his wife to lose weight and suffer stress to such an extent that it simply broke her heart.


Full story at TOO: http://www.theoccidentalobserver.net/2015/08/post-conviction-relief-a-short-story/#more-29525


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Posted by difference between kkk and liberals.. on Fri, 28 Aug 2015 16:20 | #

“In their mating and migratory habits, liberals are indistinguishable from members of the Ku Klux Klan”  - Joe Sobran

DAILYKENN.com—Privileged white liberals pretend to care about the plight of black Americans.

However—with few exceptions—these same compassionate white liberals avoid black neighborhoods and would never consider relocating to a black housing project where they may freely redistribute their white privilege.

Occasionally white liberals will create their own enclave of restored historic homes in urban areas. There they display yard signs touting Hillary while discreetly plastering rainbow decals in their windows; an outward expression of their unity with other compassionate pin heads.

Such urban enclaves include token minorities and are usually surrounded by towering fences; the quintessential gated communities.

Beyond those gates they seldom venture at night. There are no trips to the 7-Eleven where they must confront the Pakistani behind the bullet-proof, barred window. They will never be seen rolling the Prius up to the pumps late at night.

The video below explains their reticence.

The video is age restricted due to the violence liberals pretend doesn’t exist and is never included in white guilt movies.

Welcome to the real world!

https://www.youtube.com/watch?v=x72jBYs5FXs


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Posted by Fat, black and proud on Sat, 29 Aug 2015 12:54 | #

Fat, black and proud

https://mail.google.com/mail/#inbox/14f79591ce5eb49c?projector=1


7

Posted by Elaine Fogle, Ashley Davis.. on Sun, 06 Dec 2015 07:18 | #

Arrest made 37 years after rape-murder

DAILYKENN.com—A 26-year-old lab technician was brutally raped and murdered in her apartment. The crime was committed 37 years ago in 1978.

Arrested this week for the rape and murder of Gwendolyn Elaine Fogle is James Willie Butterfield, 59.

Reports say Fogle surprised Butterfield while he was burglarizing her apartment. The woman was allegedly beaten with a fireplace poker and strangled.


Fiction

The crime occurred in Walterboro, S.C.

• American school children are being forced to read the white-guilt fiction novel, The Kill A Mockingbird. The focus of the novel is a black male falsely accused of rape. Readers are left with the impression that it is racist to accuse black males of raping white women.

The fictional story contrasts with coarse reality that is not part of the government school system’s educational system. In fact, black-on-white rape has been epidemic in the nation for generations. Americans have been intimidated to silence lest they be accused of racism.

The fictional story’s central theme is racism. In actual black-on-white rapes, the racial element is seldom—if ever—mentioned. White people must always be portrayed as oppressors of non-white. They must never be acknowledged as victims of black crime and violence.

• Pseudo-feminists don’t seem to mind women being raped by black males. To our knowledge there has never been a occasion when [Marxist]-leaning feminist groups spoke in defense of white women who were brutally raped by black males.

       

Arrest made in brutal murder of Virginia woman

KENN.com—Richmond, Va. police have arrested a black male, Jeffrey Michaux Jr., 24, in connection with the murder of a white woman.

The body of Ashley Davis, 33, was found in a wooded area near an apartment complex.

Michaux is a convicted felon.

To our knowledge, no pseudo-feminists have protested the epidemic of black males murdering white women.

 


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Posted by Doing The Cosby Show on Wed, 30 Dec 2015 18:07 | #

Bill Cosby, long held up by the YKW media as an exemplar of blacks as reasonable, civil, socially responsible, even conservative…. has been officially charged with rape. He is actually accused of raping multiple women over the course of years. His usual method was to offer help with their career or whatever, get them alone, and then he would slip them a quaalude.

http://www.npr.org/sections/thetwo-way/2015/12/30/461482697/bill-cosby-is-charged-with-aggravated-indecent-assault-in-philadelphia-area-case



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Posted by What is Afrikmall? on Mon, 04 Jan 2016 21:31 | #

An affliction on the beautiful state of Colorado

What is Afrikmall?

Afrikmall is a place that Africans living in Colorado can call home, providing a range of business services, as well as cultural, community and social opportunities and events. There are many thousands of Africans living in Colorado, from Eritrea, Ethiopia, Ghana, Ivory Coast, Kenya, Nigeria, Senegal, Somalia, South Africa, Uganda, Zambia, and other African countries.What will Afrikmall offer?Afrikmall will provide the best of African business, entertainment, products, services and cultural experience to the general public. This may include African restaurants and cuisine, a grocery store, a coffee shop, a beauty salon, art shops, clothing retailers and business office space, along with an event center and a cultural center. It is also envisioned that Afrikmall will also house a credit union or bank.

Why in the world does anyone from Eritrea, Ethiopia, Ghana, Ivory Coast, Kenya, Nigeria, Senegal, Somalia, Uganda or Zambia live in Colorado (or for that matter, America)?  What type of asset could they be to America, when Americans of African descent represent the greatest liability in this nation?

SBDL: We used to have a country.



Celebrating the opening of Afrikmall


de Gibsmedats and central cuck


Also in Colorado…

Telluride, Colorado


Telluride, Colorado


Telluride, Colorado


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Posted by Scumbag protests Maine governor's remark on Fri, 15 Jan 2016 15:25 | #

           
Scumbag White woman exploits and leeches off of Whites in her own nonetheless egregious way.

Scumbag White woman with two hideous half Negro children complains about racist remarks made by Maine Governor….rather than taking note of her betrayal of the evolutionary capital endowed her by European peoples - and the fact that the ‘work’ and infrastructure that her Negro partner are engaged with are the constructions of White men, that she is no less dependent upon these social structures in this context, than the welfare that is more typically necessary for the more common bastard children resulting of Negro fathers - and that she ought to be compelled to live with blacks and the inevitable consequences of their patterns, rather than imposing herself, her Negro partner and offspring on humans.

What has made so many White women so disgustingly self righteous?

Is this really your fault, White man, for being so “beta”? Is this Negro really such an “alpha”? After 41,000 years, suddenly no White men are suitable for her, “alpha” or otherwise? Undoubtedly, the judgment of White women is beyond criticism (not). Suddenly none of you/we White men are good enough? Not likely. Should you just move to someplace White and without many Jews to get away from this hideous self righteousness? Jewish media, politics, law, religion, finance, business have a long reach, even to Maine, a place that some would hope to see as a White haven. And White adherence to Modernity and its predecessor of Christian universalism has a long history, particularly in these puritanical bastions, of preparing a rife ground for exploitation.

Yahoo, ‘The White Girl in Maine’ Hits Back at Governor’s Racist Remark, 11 Jan 2016:


Mom Becca Edwards is “pissed” about a racist remark that her state’s governor made, and she’s calling him out on it, offering her own biracial family as an example of how very wrong he is.

Maine Gov. Paul LePage issued his offensive comment at a town hall meeting in Bridgton on Jan. 6 while speaking about the influx of heroin in the Pine Tree State. “These are guys with the name D-Money, Smoothie, Shifty — these types of guys — they come from Connecticut and New York, they come up here, they sell their heroin, they go back home,” the Republican blasted. “Incidentally, half the time they impregnate a young white girl before they leave, which is a real sad thing because then we have another issue we have to deal with down the road.”

Though the crowd at the town meeting didn’t immediately react, social media’s response was swift — and seething. The Portland Press Herald reports that Marlon Marshall, Hillary Clinton’s director of state campaigns and political engagement, issued a statement calling LePage’s comments “racist rants,” while Maine Democratic Party Chairman Phil Bartlett dubbed them “outrageous” and Michael Tyler, the Democratic National Committee’s director of African-American media, declared them “disgusting.”

But in Edwards’s now-viral Facebook response, the self-described “white girl in Maine,” took it one step further and called for LePage’s ouster. “Last week the governor in Maine, my state, suggested to the world that if one were to see me (the white girl) and my daughter (the biracial girl) walking down the street, that she is a product of my involvement with a drug dealer from out of state. And even worse, that she wasn’t wanted,” wrote the mother in her Jan. 9 post, which has been shared more than 216,000 times in just two days. “Things he says don’t usually get under my skin, but these words were cruel, infuriating, insulting, and full of hate and should not be tolerated.”

The episode which raised the controversy:

About 30 minutes into a meeting, which was rebroadcast Thursday night, LePage responded to a question about how he was tackling substance abuse in Maine. He began talking about how much of the heroin is coming into Maine from out-of-state drug dealers.

Here is the quote from the Maine Governor:

“These are guys with the name D-Money, Smoothie, Shifty – these types of guys – they come from Connecticut and New York, they come up here, they sell their heroin, they go back home,” LePage told a large crowd. “Incidentally, half the time they impregnate a young white girl before they leave, which is a real sad thing because then we have another issue we have to deal with down the road.”


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Posted by Doing the Cosby Show on Tue, 05 Apr 2016 06:36 | #

Bill Cosby, on the otherhand, maintains that he is grateful for your support…

TMZ, “Bill Cosby I’m Grateful for Your Support”, 1 Jan 2016:

Bill Cosby was a man of few words on New Year’s Eve, but they show he’s still in the fight.

Cosby thanked his friends and fans for their support in the wake of the felony sexual assault charge he now faces.

Cosby’s lawyers say they will wage legal war, claiming any sexual contact with Andrea Constand and the others was consensual.

The comedian’s legal team is also slamming the Montgomery County District Attorney who announced the charges. Kevin Steele made the announcement days before he even became D.A.  Steele ran on a platform that Cosby should be prosecuted, and Cosby’s lawyers say putting a prosecution in the hands of voters is a gross abuse of the criminal justice system.

TMZ, “Bill Cosby Settlement Looming with CA Accuser”, 31 Dec 2015:

Bill Cosby is defending a case brought by a female accuser that could be even more serious than the criminal case that was just filed ... but we’ve learned Cosby and the woman may be close to a secret settlement.

Chloe Goins has sued Cosby for sexual assault, claiming he drugged and sexually abused her at the Playboy Mansion in 2008. Goins filed suit October 6th ... but something curious has happened, or should we say, hasn’t happened.

We checked the file and there’s been absolutely no activity in the case. In fact, Cosby was never served with the lawsuit. The court requires service within 90 days, which means Chloe is days away from the deadline. If Cosby isn’t served, the case will almost certainly be dismissed.

Sources connected to the case tell TMZ, the reason why nothing has happened in the case is because both sides have been talking settlement, although no agreement has been reached.


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Posted by Uncle Tom on Tue, 05 Apr 2016 06:52 | #


Sometimes The Uncle Tom and The Oreo don’t just act as Trojan Horses for the pattern…

Sometimes they manifest the pattern themselves..

...but he humbly thanks you for the pieces of White ass…

..he thanks the Jewish media that gave him the celebrity to lure ignorant White women…

...he thanks the Jewish lawyers who find ways pay them off..


13

Posted by "Tackling a taboo" on Fri, 13 May 2016 13:35 | #

           
“Jungle Fever” poster from early 1990’s
Hollywood was “tackling a taboo for us to overcome.”


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Posted by Fried Chicken & Corn Bread on Sat, 18 Feb 2017 03:33 | #

Trentonian, “Mostly white Hopewell High School serves fried chicken to honor Black History Month”, 17 Feb 2017:

                   
HOPEWELL >> Racial stereotypes were served up at Hopewell Regional Central High School.

Fried chicken, sweet potato casserole, mac & cheese and cornbread, which are all stereotypical foods that African-Americans like, were all on the school’s special lunch menu on Thursday in celebration of Black History Month. One student even posted a picture of the menu on social media with a caption that read “I love my school,” capped with a smiley face emoji.

But some parents realized the menu was insensitive, especially during a time period that recognizes the achievements of prominent African-Americans.

“This is stereotyping and it is not appropriate,” one parent wrote on social media.

In a message to the high school community that was obtained by The Trentonian, Hopewell Valley Regional School District Superintendent Thomas A. Smith placed blame on the school’s food service provider, Pomptonian, a company based in Fairfield.

“The high school lunch menu featured items that included fried chicken and corn bread,” Smith said. “The decision to include these items without any context or explanation, reinforces racial stereotypes and is not consistent with our district mission and effort to improve cultural competency among our students and staff.”

        Comment by DanielS, story courtesy TT Metzger


15

Posted by Jury deadlocked in the Cosby show on Sun, 18 Jun 2017 12:23 | #

Bill Cosby, the “role model” of a black family man in “The Cosby Show;” and in that same image which he presented to the public was taken to court on accusations by dozens of women that he had drugged and raped them. The case ended with the judge ordering a mistrial as the jury was hopelessly deadlocked. Naturally, the charges did not fit the public narrative of Cosby as the model of a stable black family man. As the O.J. Simpson trial demonstrated before the world, black people cannot be expected to be fair as jurors (hyper-assertive, aggressive and highly ethnocentric as they are), especially not in regard to their celebrities. And, as typical blacks have demonstrated to the world: the good, black, stay-at-home father, as model to be coached out of an African evolution of alpha-male hypergamy is a dubious prospect.

       
          “If the narrative doesn’t fit, you must acquit”

Deadline Hollywood, “Bill Cosby Rape Case Ends In Mistrial; D.A. Says ‘Will Retry” – Update 17 June 2017:

(UPDATED WITH D.A. ANNOUNCEMENT) A mistrial has been declared today in Bill Cosby’s criminal trial for the 2004 rape of Andrea Constand. The decision has for now spared the once-beloved actor from a potential decade behind bars, and comes at the end of over 50 hours of deliberation by the jury in Norristown, PA, which first went to Judge Steven O’Neill on June 15 to say it was deadlocked – at that time he told them to “try again,” which they’ve done for the past two days.

After just over an hour of deliberations on Saturday, the jurors informed the court that they were still “hopelessly deadlocked” on all the charges.

..it has been suggested that even “traditional” White women and paleocon White men generally will pathetically side with Cosby.. and that’s probably true.


16

Posted by To Kill a Mockingbird on Tue, 03 Apr 2018 06:36 | #

Good article from Adna Bertrand Rockwell:

Counter Currents, “To Kill a Nice, White Society: Harper Lee’s To Kill a Mockingbird”, 2 April 2018:

2,781 words

One of the greatest metapolitical efforts that has ever been brought to fruition is, in fact, the work of our mortal philosophical enemies – that is to say, Harper Lee’s novel To Kill a Mockingbird, which was published in 1960 and then turned into a popular film in 1962. The book and the film are quite similar, and this review covers both endeavors. As usual, the book is better than the film, but both works use the same methods to move towards the same metapolitical goal of “civil rights” and white dispossession.

The fictional works of white advocates have yet to surpass the bar set by Mockingbird. Most racially-aware fiction is futurist-dystopian or science fiction, and while these genres well convey the problems involved and contribute all manner of ideas on the subject, they still fail to measure up to Mockingbird’s heavyweight metapolitical punching power. What, then, makes To Kill a Mockingbird so powerful? After some thought, I concluded that there are four elements that really made this story work.

                                   

. . . But First, the Plot

This review is written under the assumption that most of its readers have either read To Kill a Mocking Bird or seen the film, so this summary will be brief. Throughout Mockingbird, there is rich character development and a good portrait of small-town Southern life. The story takes place in fictional Maycomb, Alabama during the Great Depression of the 1930s. The story’s narrator and protagonist is a precocious, tomboyish girl named “Scout” Finch, who spends her time playing with her brother Jem and their friend Dill. The Finch siblings’ mother has died and they are being raised by their father, Atticus Finch, who is an attorney.

The three children explore their town in an innocent way. They become interested in a recluse named “Boo” Radley. It turns out that this socially isolated man is attempting to reach out to the kids by leaving friendly gifts for them in tree hollows in their neighborhood.

In the meantime, Atticus Finch is assigned to defend a black man named Tom Robinson from a rape accusation by 19-year-old Mayella Ewell. The Ewell family are low-class “white trash” who live in grinding poverty. Robinson’s trial becomes the talk of the town. Atticus carries out his legal duties with dignity.

During the trial, Atticus weaves a story implying that Mayella tried to put the moves on Tom Robinson and was beaten by her own father for the cross-racial encounter. The Ewells are humiliated. Robinson is found guilty regardless, and is later “killed attempting escape.” When Bob Ewell attacks the Finch children in revenge for the humiliation at the trial, they are rescued by “Boo” Radley.

Element #1: To Kill a Mockingbird is a Very Good Story First – With Message Second

To fully understand Mockingbird’s power, one should first contrast it with badly-done metapolitical works that attempt to convey a message – namely, Christian films. By “Christian” I specifically mean Baby Boomerist, Evangelical Protestant films – not something produced by a filmmaker who creates an artistic movie with a Christian theme like Mel Gibson or Martin Scorsese. The best way to collectively describe most of those works is “crap.”

A very partial list of Christian – i.e. American Evangelical Protestant Baby Boomerist (AEPBB) – movies that are crap include God’s Not Dead (2014), Fireproof (2008), and War Room (2015). This list is partial because all AEPBB movies are crap, but the three movies mentioned have entered mainstream consciousness. What makes these movies so bad is that:

1. The outcome of all AEPBB films must end with the predetermined message of the AEPBB religion. In other words, the conflict must be resolved by the protagonist “finding Jesus” for the first time, or “rededicating” his life if he “found Jesus” earlier in his life. Each movie is thus a sermon with a film built around it.

2. Christians (AEPBB) fundamentally bend to the reigning liberalist ideology of the immediate post-war years in which the Baby Boomers were born. This includes fundamental support for feminism (Fireproof) or racial integration (War Room). As a result, there is no real insight into any issue.

3. Because there is no insight into the underlying issues, the AEPBB, Altar Call-style endings are unsatisfying. “Finding Jesus” or “rededication to Christ” are only simplistic magic acts. The actual systemic problems, such as having a faithless wife (as in Fireproof), remain.

If To Kill a Mockingbird were an AEPBB film, the good characters would be entirely on board with racial integration from the get-go, and Atticus Finch would offer a long-winded speech[1] imploring all whites to get on board. The jury passing judgement on the accused Negro rapist would not convict him because one juror would have “all the answers,” and the rest would listen passively to him. To Kill a Mockingbird would be crap and nothing more would be heard of it.

However, To Kill a Mockingbird is ninety percent story, with a nuanced, dual plot involving, on the one hand, a nostalgic, feel-good, emotional look at small-town Southern life and a trial involving a clearly innocent Negro. It is only ten percent message, and that message’s delivery is masterfully achieved.

Element #2: The Fictional Tricks Used to Package To Kill a Mockingbird’s Message

To Kill a Mockingbird’s metapolitical intent is to support “civil rights,” i.e., integration of blacks into white, civilized society regardless of the costs. It does so by a series of fictional tricks.

The first trick is To Kill a Mockingbird’s genre: that is to say, small-town nostalgic fiction. This genre is an extremely soft, emotional, and escapist form of fiction. One of the genre’s pioneers was a white advocate, William Dudley Pelley, who wrote stories about a fictional town called Paris, Vermont.  Other fiction of this genre includes Little House on the Prairie (both the series of books and the TV program), The Andy Griffith Show, The Dukes of Hazzard, and The Waltons. This genre has the ability to endorse radical social policies of a dubious nature by projecting them into an imaginary, rose-colored past. “Civil rights” is, in fact, a social policy that has produced a great deal of stress in modern life, but in Mockingbird, civil rights are just fine, for they are what should have happened in the dew-covered, innocent world of small towns and childhood.

To Kill a Mockingbird’s next trick is that its world has been set up in such a way that its metapolitical message works without a hitch. Atticus Finch is a widower. As such, he is able to carry out his duties free of a nagging wife, or a wife who asks hard questions about rapists. Next, the accused rapist is conveniently given a disability: an unusable left hand, thus rendered after it was caught (of all things) in a cotton gin when he was 12. Tom Robinson is also old enough to be beyond the age bracket for most criminals. And although Mayella Ewell is an attractive young woman, there are no other men trying to court her. She is so lonely that she develops a crush on a married black man. In the real world, it is more likely that a woman like Mayella would be trying to become the next Mrs. Atticus Finch.

Furthermore, the character of Atticus Finch is what upper-class whites see as an idealized version of themselves. This hides the fact that Atticus’ strategy during the trial is a shifty legal smokescreen no different from O. J. Simpson’s Dream Team. Robinson’s disabled-hand defense was replicated in real life by O. J.’s “glove that didn’t fit.”

It is also important to note a missing character in this story: an antagonist who conveys a great truth, or otherwise puts forward his reasoning. In the excellent 1953 epic Shane, the antagonist very much gives his side of the story. In 1980’s The Empire Strikes Back, the antagonist, Darth Vader, famously says, “. . . [W]e can end this destructive conflict, and bring order to the galaxy.” Emperor Palpatine expresses similar sentiments in 2005’s Revenge of the Sith.

In To Kill a Mockingbird, nobody offers up a defense of white supremacy in the South, although there was indeed a large body of race realist literature going back to Thomas Jefferson. Someone should have said, “Humiliate Mayella Ewell and all crime involving blacks will be more difficult to manage.”

Its final trick is that, unlike AEPBB films, the message in Mockingbird is in what is shown but not said. The injustice of Tom Robinson’s trial is seen, but not commented on. The “racists” in the town are uneducated trash like the Ewell family, or else are regular people, such as the citizens on the jury, who are following convention although it is clearly against their conscience to do so. Again, it is shown, but not commented upon.

Element #3: Hard Work & Omertà

Part of To Kill a Mockingbird’s realism derives from the fact that the book was semi-autobiographical. Harper Lee really did grow up in a small Southern town. The character of Dill was believed to be the literary great Truman Capote, who had been an actual childhood playmate of Lee’s. Indeed, many suspected that Capote was the one who really wrote Mockingbird.

This rumor dogged Harper Lee for the rest of her life. To Kill a Mockingbird has even been run through computer algorithms to verify if the narrative “voice” therein is Lee’s or someone else’s. Part of the mystery is that Lee never wrote another book during her lifetime. She also gave very few interviews. In one of the few, which she gave to WQXR in 1964, she was not very insightful. In that broadcast, she claimed that she was working on a second novel, but that the going was slow. She also claimed that she was writing for days on end. In retrospect, everything that she said was a smokescreen.

In 2015, only months before Lee’s death at age 89, a “sequel” to Mockingbird was published: Go Set a Watchman. The highly-anticipated sequel was a bestseller, but also a major disappointment, although it did fill in the gaps of how Mockingbird really came about. Watchman was really a first draft of Mockingbird. Indeed, the speculation that Harper Lee hadn’t really written Mockingbird was somewhat true: Lee had a great deal of help from an upper-class Quaker woman from Brooklyn named Therese von Hohoff Torrey, who was known professionally as Tay Hohoff. Hohoff was an editor who nursed the manuscript along for three years.

Neither Harper Lee or Ray Hohoff ever discussed their collusion publicly. There was only what the mafia calls omertà – namely, silence regarding the production of the novel. The legend of Mockingbird’s composition was thus a product of omertà, and was the result of very hard work over a very long time.

Element #4: To Kill A Mockingbird, the Goals of the Political Elite, and Omertà

As we now know, the promised “dream” of the “civil rights” movement of the 1950s and early 1960s turned into a disaster. The political elite of the generation prior to Harper Lee’s – Henry Ford, Madison Grant, Theodore Roosevelt, Woodrow Wilson, and so on –  were all in today’s terms quite “red-pilled,” but for some reason[2] the political elite which had fought the Second World War moved away from the wisdom of their elders. To Kill a Mockingbird fit in with the agenda of integration and civil rights that was being endorsed by the new, post-war elite.

Hohoff’s tender shepherding of Mockingbird through its long, hard production slog makes sense within the context of support from the political elite. A well-written pro-integration novel was sure to get reviews in The New York Times and other notable venues. Additionally, support from the elite makes the fact that the book won the Pulitzer Prize, as well as the fact that a film adaptation was quickly made featuring A-list actors, easier to understand.

                       
“Yer Father’s passin’.” Atticus Finch (Gregory Peck) is honored by blacks when they stand for him after the verdict. This scene lands a heavy metapolitical blow. White supporters of “civil rights” believed they would get similar adoration from blacks. (They didn’t.)

However, the omertà continues. To Kill a Mockingbird was metapolitics for the Civil Rights Movement, but nobody asked Harper Lee what she thought of the direction that the movement took. In the real world, a situation involving a cross-racial rape would go something like this:

  The rape victim, Mayella Ewell, would have grown up poor, but would have become a teacher or social worker. She’d be in her thirties – old enough to think that she didn’t need help around blacks.

-  If Mayella’s family was intact, her father might have had an alcohol problem, but he wouldn’t have been abusive. More likely, she’d have grown up in a broken home with no father at all.

-  Tom Robinson would be a teenager with a long rap sheet prior to the rape.

-  Mayella Ewell may or may not have survived her encounter with Tom Robinson.

-  If the trial had made it into the national consciousness, Tom Robinson would have been “Obama’s son,” and he’d be acquitted regardless of the evidence. If the trial only made it into the “Right-wing” media, his conviction would be overturned on appeal, or the Governor of Alabama would have commuted the sentence as a strike against “racism.”

-  If pardoned, acquitted, or freed, Tom Robinson would continue with a life of crime. Like Rodney King, he’d die in an undignified way, or eventually be returned to prison upon conviction for a different crime.

-  “Boo” Radley would never have left his house or had a positive interaction with the Finch children.

An Inspiration for White Nationalist Fiction?

Part of To Kill a Mockingbird’s power is that it cleverly puts a radical social experiment into a story that is otherwise ninety percent nostalgia. White Nationalist fiction writers should take inspiration from this story and seek to make use of its tricks toward more just ends. Several possible subjects from history include:

-  A child’s view of King Philip’s War, which made New England something like a white ethnostate.
 
- The Paxton Boys’ attack on Indians in Pennsylvania; perhaps have a young boy join the effort. The Paxton Boys made western Pennsylvania into a white ethnostate, but were criticized by the political elite in Philadelphia.

-  A young girl on a Southern plantation helps freed blacks move to Liberia.

-  Young whites move from an integrated school in Boston after integration.

-  A rancher’s kid must deal with illegal immigrants in south Texas after President Reagan’s amnesty.

-  The child of a fallen 9/11 firefighter is forced to deal with violent Muslim immigrants in the schools.

       
Harper Lee (left) and Jane Elliott (right) in the 1960s. Elliott pioneered a method of anti-white humiliation and diversity training after Martin Luther King was assassinated. Harper Lee wrote the metapolitical work that caused whites in positions of authority to turn a blind eye toward black criminality. Both women have hard faces which convey a sense of cruelty and barrenness.

Adna Bertrand Rockwell was inspired to write this article after his trainer, Kyle, discussed To Kill a Mockingbird in great detail during a workout session.


17

Posted by The Cosby Show on Thu, 26 Apr 2018 23:46 | #

       

          ...he never was funny.

BBC,“Bill Cosby found guilty of sexual assault in retrial”, 26 April 2018:

US comedian Bill Cosby has been found guilty of three counts of sexual assault, each of which carries a potential 10 years in prison.

The actor, 80, has been on trial for drugging and assaulting ex-basketball player Andrea Constand in 2004.

Cosby, the first major black actor on primetime TV, will remain out of jail until he is sentenced, the judge ruled.

He unleashed an expletive-filled rant after the verdict, as prosecutors argued he should be denied bail.

The prosecutor argued that he should be held because he is “somebody who has unlimited wealth” and could flee on a private plane.

“He doesn’t have a plane,” Cosby then erupted, adding a vulgarity which he directed at the prosecutor.

       
        Bill Cosby: The fall of ‘America’s Dad’

“I feel like my faith in humanity is restored,” Cosby accuser Lili Bernard said outside the courthouse.

“We are so happy that finally we can say, women are believed, and not only on #MeToo, but in a court of law,” lawyer Gloria Allred said.

It was the second time the actor had stood trial for the allegations, after an earlier jury failed to reach a verdict in June 2017.

At the start of the retrial in Pennsylvania it was revealed that Cosby had paid Ms Constand almost $3.4m (£2.4m) in a civil settlement in 2006.

Cosby is best known for starring in the 1980s TV series The Cosby Show.

Around 60 women over five decades have publicly accused the Emmy award-winning actor of being a sexual predator. But statute of limitation laws mean that only one charge has been brought to trial.

Some of his accusers were present in court, and cried as the guilty verdict was returned.

Cosby’s lawyer Tom Mesereau insisted “the fight is not over”, adding that he believes Cosby is innocent and that he plans to file an appeal.

Montgomery County District Attorney Kevin Steele, who brought the charges against Cosby, held a press conference after the verdict.

“Money and power or who you are will not stop us from a criminal investigation and prosecuting a case,” Mr Steele said, as Ms Constand stood beside him.

When the attack took place, Ms Constand was working as director of operations for the women’s basketball team at Temple University, Philadelphia.

She told the court she had gone to the home of her then friend Cosby, to discuss her resignation.

She said he had given her three blue pills to “help take the edge off,” which she believed to be a natural remedy.

Minutes later, she was suffering double vision and quickly lost consciousness.

She awoke to find Cosby groping her breasts and penetrating her, she said, adding that the drugs made her physically unable to fight back.

Ms Constand reported the attack, but the district attorney refused to press charges. The case was reopened in 2015.

Analysis: A ruling that’s a sign of our times

Nada Tawfik, BBC News, Norristown, Pennsylvania

This verdict is being celebrated as a major win for the #MeToo movement. It shows that the shift in our society and culture from doubting to believing victims is also affecting the justice system. Bill Cosby’s lawyers anticipated this and took direct aim at the movement during the trial, telling the jury “mob rule is not due process.” But ultimately, the jury sided with Andrea Constand and set aside the 80-year-old comedian’s wholesome image as American’s favourite dad.

At one time, there was no star bigger than Bill Cosby. He was the most watched man on television, a role model for minorities trying to break into Hollywood. And despite years of allegations, he seemed untouchable. That has now all changed, and there is no doubt that this verdict will have far-reaching consequences.

Judge Steven O’Neill allowed five of Cosby’s other accusers to serve as “prior bad acts” witnesses during the trial, as the prosecution sought to establish a pattern of misconduct.

Heidi Thomas told the court that the comedian served her spiked wine that made her drowsy for four days in 1984.

Former US model Janice Dickinson was among those who testified, alleging that Cosby drugged and raped her at a hotel in 1982, when she was 27 years old.

“I wanted to hit him, wanted to punch him in the face,” Ms Dickinson, 63, told the courtroom in Norristown, Pennsylvania. “I felt anger, was humiliated, disgusted, ashamed.”

Former model Janice Dickinson has accused Cosby of raping her in 1982

The former reality television star testified Mr Cosby offered her a blue pill that he said would help with discomfort from menstrual cramps.

“He smelled like cigars and espresso and his body odour,” she said. “I couldn’t move, I felt like I was rendered motionless.

“Here was America’s dad on top of me, happily married man with five children and how very, very wrong it was,” she said.

The case against Cosby was one of the first celebrity assault trials conducted in the light of the #MeToo movement, which has raised awareness of alleged sexual misconduct by a number of powerful media figures.

 


18

Posted by Cosby on Women on Sun, 29 Apr 2018 06:33 | #

Vice, “Bill Cosby Expected ‘Something in Return’ from Women (in exchange for dinner invitation) ...in Bizarre 70s TV Skit”, 2018:

The disgraced (and now convicted) comedian peppered his work throughout the years with bits that hinted at sexual predation. (    ... including bits about slipping them mickeys).

 


19

Posted by Bill Cosby, who was never funny... on Wed, 26 Sep 2018 16:12 | #

...is going to jail.

         

One of his accusers, Chelena Lasha, said: He ruined my life. 17 years old, took away my future, my financial, everything about me; and lived his life on, over and over again with no regards; and I think he needs to pay for what he’s done to everyone. I have nightmares about it this very day and I want them to go away, just like him.

 



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