Serious and online I have just read this intriguing Guardian article about the BBC’s extraordinary demonstration of the public’s love for Ludwig van Beethoven and his symphonies. The background to this story was the wonderful, week-long Beethoven Experience which BBC Radio 3 ran for 24 hours a day from June 5th to 11th. Every note the great man wrote was broadcast during this time, and not one note by another composer. At the close of this prodigious musical event two sets of free downloads were made available on the BBC’s website: his symphonies and his piano sonatas. I downloaded two of the sonatas I did not already have in my library, and very fine they are, too. But, as the article immediately makes clear, it is the staggering number of symphony downloads and the, frankly, gobsmacked response of “music industry” leaders that have emerged as the lasting lessons of the Beethoven Experience.
One has, of course, to add the caveat that massive exposure and free availability make a difference, and a very large one. But the fact remains that the men whose purpose and business it is to understand their market have had the long-held belief that classical music is in decline falsified. At its broadest interpretation, the appetite of folks who, in musical terms, are either serious-minded or aspire to seriousness is now a proven fact. The industry has been so hypnotised by pop culture and “MTV as the future” (instead of vile social prosyletising), it has quite lost its way. I draw the heartening conclusion from this that seriousness of mind, which is hardly confined to music, is a powerful fact of online life. The appetite is there for serious political debate as for anything else. Where that seriousness is predicated on honesty and free speech sites like MR have our role to play. I am wholly of the conviction that the subject matters and treatments eschewed by the mainstream media - the forbidden, the “incorrect” - are precisely those the serious-minded public strives to understand - because they recognise that these are truly the great issues of our day. Good evidence for this exists in the performance of the BNP website in the aftermath of the London attacks. I can’t find the link now, but the BNP has claimed that its site visitor rate - already far in excess of that for any other Party website in Britain - has doubled or tripled since 7/7. I did a quick mental calculation when I read this. From memory, I came up with an averaged front-page download every sixteen seconds or so. OK, my mental arithmetic stands second only to my bird-pulling power in the GW list of personal attributes - not. But bear in mind that the BNP is horribly demonised, and serious-minded folk are not necessarily non-suggestible. So it’s a fairly remarkable occurrence. To put it into context a bit, my calculation of the BNP’s visitor figure isn’t much different from MR’s figure, but we are not a Brit-only site. Bear in mind that, of course, the big political sites of liberal America are simply off the scale. But that’s a different phenomenon, I think - and one John has laid at the door of the leftist’s gnawing need for reassurance in the face of reality. Self-deception is not seriousness and, plainly, the likes of Daily Kos are perfect strangers to honesty and free speech. They are mood music for leftist neurotics. On which timely and optimistic note I shall listen to no.31 in A flat, Op.110. Comments:2
Posted by Svigor on Thu, 21 Jul 2005 16:42 | # I lament my lack of musical knowledge from time to time. Classical seems to rest on a permanent back burner around here, except for the few bits I have lying around; I’m always promising myself to get into it. I’m so bad I can’t even name any Beethoven, so I’ll throw out two that I like from others, Bach’s double violin concerto and Orff’s Carmina Burana (yes, the end is done to death by Hollywood, but it suffers terribly without the buildup). 3
Posted by Svigor on Thu, 21 Jul 2005 16:46 | # Concerto for Two Violins in D Minor is the real name I guess. 4
Posted by jonjayray on Thu, 21 Jul 2005 20:57 | # “Bach’s double violin concerto and Orff’s Carmina Burana” Favourites of mine too 5
Posted by a reader on Thu, 21 Jul 2005 21:24 | # it was also americans who downloaded- i got two emails from friends about it and i live in the US. onece you develop an ear for it, it opens up a whole new universese its like moving from childrens books to a good novel 6
Posted by Svigor on Thu, 21 Jul 2005 21:42 | # I was going to ask if anyone knew the history of Carmina Burana, because I found it inspiring in a, let us say, less than Kosher kind of way. Imagine my surprise: 8
Posted by Guessedworker on Fri, 22 Jul 2005 09:28 | # <u>Top Ten</u> It is almost impossible to select “favourite” pieces or to place music I love in some kind of artificial order. But those ten pieces of which I am currently most in awe and/or return to most faithfully are:- Beethoven Piano Concerto No.5 in E-flat Major 9
Posted by Il Ragno on Fri, 22 Jul 2005 14:01 | # It’s been so long since I’ve seen good news posted to a Rightist board that I’m caught almost dumbfounded in reflexive mid-snarl. It doesn’t matter if the huge response is due to the price being right or not; or whether those numbers are mostly comprised of newbies to Luv’ly Luv’ly Ludwig Van taking a no-risk flyer and judging for themselves if the hubbub they’ve been hearing all their young lives was justified or not. In fact I hope both are true. Falling in love beats the pants off any and every arranged marriage. 10
Posted by Guessedworker on Sun, 24 Jul 2005 09:50 | # IR, Actually, this is a historic moment for the right. OK, “home-grown” suicide bombers in Britain are profoundly negative in terms of their shit-hearted murderousness. But their effect on the liberal establishment’s fantasies about the Multi-Cult, social cohesion, inclusiveness, Britishness as “shared values” etc is a great positive. Also, it must not be forgotten that only a few weeks ago the French and Dutch electorates stuffed the EU Constitition down the elite throats of its authors. That has thrown them and the rest of the EU elite into confusion ... at least for now. For us, the luxury and the fascination afforded by our position on all this - yours and mine - is to try to peer ahead through the mists, work out what is likely to develop and what that will mean for our views and our people. That’s worth doing, I think. Post a comment:
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Posted by Stuka on Thu, 21 Jul 2005 14:05 | #
Rubbish! It has nothing to do with the “British love for a freebie,” but rather with the British love for classic music, to which the massive popularity of the Proms can attest.
Yes, the Pastoral is wonderful, particularly Shepherd’s Hymn After the Storm. I’m also partial to Piano Concerto #5 in E Flat Major.