Taylor Swift, “Lover”, 2019

..to be encouraged into the YKW/Liberal programmatic deception that miscegenation with blacks is not only harmless, but a paragon of “love” and virtue.

This program has been foisted through music videos for over three decades now, beginning with Sumner Redstone’s MTV, as it jammed the pre-internet media with Madonna’s “Like a Prayer” video.

Note: to see White woman / black man couples in public was still very uncommon in the mid 1980s.

The Taylor Swift video begins egregiously enough, making it clear that the target perspective is of little girls and that they should be paying riveted attention to this.

       
...encouraging girls to have"compassion”, lots of gifts, tidings and reward for universal maturity..

..into the fish bowl with our people…..not like its a trap…

...easy as fishing in bath tub for predators, where White men are prohibited from discriminating against opportunistic, predatory species who would take advantage of the sublimated and protracted maturity that life spans within our evolutionary pattern entail…

The floodgates were opened with Madonna’s 1989 “Like a Prayer” video…

Madonna, “Like a Prayer”, 1989

The analogy is made between a black man as a “martyred saint” brought back to life by a White woman’s prayer / and a White woman liberator of “black men wrongly imprisoned” by White racist men (not as if black men are indeed hyper-assertive, aggressive, lacking impulse control and having low time horizon to the point of aggression, criminality even, deserving imprisonment and needing to be discriminated against as a pattern).

Italians had been more ethnocentric and resistant to being cowed by accusations of “racism”, so they went hard after their resistance with the Madonna video.

And a religion in (((service of))) cucking the gentiles, i.e., into universalism for non-Jews, the goyim, does not protect our biology, our biological kinds, nor their paternalist guardianship. It offers no resistance and allows our enemies to cuck our people.

       
Madonna, liberating black criminality from White law, order and vigilantism.

...and yielding our evolution to thuggery; a reverse of the sacrament of our sublime pattern, betraying it, betraying us and portraying that as if a noble thing to do.

...a perversion indeed, as if the “sacred” thing to do is to yield our genetic treasure to those most destructive to our people, in many ways, including (EGI) genetic line: hearkening back to Simone de Beauvoir’s conception of the “sacred ministry of betrayal” ...“you will never do anything to me more hateful than I have already done to you.”

Haddaway, “What is Love?” (1993)

...backgrounding a White vamp.

Backgrounding: conditioning as a pervasive phenomenon, taken for granted, not of acute relevance to criticize.

     

     

       
...a few years later, a droopy-eyed simian named “Haddaway” had his “What is Love (baby don’t hurt me)” music video played constantly throughout the world, featuring him imploring a White goth woman to not hurt him anymore (and answer his question, what “love” is?), while she remained quasi elusive to him but captive in the background eves of a classical European mansion.

     

Having this video played at the random European hostel that you’d be staying at was like having your wrists tied, with tape over your mouth while your co-evolutionary women were being thrown (and abetting our being thrown) into planet of the apes.

Another incredibly obnoxious jamming and backgrounding campaign was the air-headed but ubiquitously played..

Brittany Spears ...Baby One More Time (1998)

The Baby One More Time video portrays Spears as a student from a Catholic high school, who starts to daydream that she is singing and dancing around the school, while watching her love interest from afar.

... Brittany Spears going on about how her loneliness is killing her and passively acting like she can’t help herself as a giant Negro slam-dunks a basketball…