Christianity explains Jesse Hughes (Eagles of Death Metal) Confused Identity & allegiance For his insolent defiance of Roger Waters plea that he not play Israel, he might have been singing “We don’t need no education” right along with Pink Floyd .....but actually, maybe Jesse Hughes, his friends and fans could use a little. Try a caveat on Abrahamic fellowship.
Jesse Hughes is a “devout Christian.” That explains his confusion over who “his people are.” He was interviewed before the Tel Aviv concert by “Consequence of Sound”..
________________________________________________________________________ Addendum: Note that troll JamesUK likes to associate us with the right-wing circus and any sort of unflattering speculation that he possibly can; but I will leave that aside, at least for now in order to address this: “Didn’t you say in a previous posting that Eagles of Death Metal represented white culture?” I said that the Eagles of Death Metal fans represent implicitly White culture. Evidently their fans are predominantly White genetically; but the fact that the band leader, and likely a significant percentage of their fans, have a confused identity (case in point, thinking that Jews can be a part of their kin) as a result of Christianity and other Jewish crypsis, provides an excellent occasion to address those implicitly White demographics who suffer this confused identity as a result of Christianity. I was not wrong to treat them as an implicitly White demographic, that remains true. The band and audience alike reinforce this assumption by appearance, by the likelihood that they are predominantly, genetically White (European). However, the band’s confused identity is misleading from the start, with their name: one associates death metal with paganism, a Nordic paganism defiant of Christianity in particular - and therefore assumes that the band and audience would have little to do with identifying as Israelis, with Judaism, or even its offspring, Christianity - let alone Hughes vehement “devotion.” Hughes’ devout Christianity compounds the confused identity by taking his erstwhile White identity and enmeshing it with the Jewish narrative and identity, albeit as servile gentile other in relation to Israel, Jews and other non-Whites - the “undifferentiated gentile others”, as GW says. As Hughes also made clear (unclear rather), in the CoS interview, he is quite contradicted and does not even expect to be recognized by the Abrahamic god. His fans at the Bataclan also reflect and express this ambiguous identity, but with good natured participation in a bit of carousing, defiant music, irreverent language, devil sign, etc. I say “good natured” because they were apparently healthy, functioning people who had bearings outside of sex-drugs-rockn’roll. Nevertheless, they lightheartedly though naively frolic with the Jewish god, tweak its nose and defy its rules for some practical latitude despite the unfortunate necessity of trafficking in its terms to some extent for the historical fact of their moral order having been entangled with it for two centuries. They are fooled by it on a profound level, however, as their seriousness, their devout service is reserved for the “other” - not for themselves - as they identify as the other. That is in contrast the Muslims, who have their own form of puritanical servility to the Abrahamic god, submission to the Jewish god. By further contrast to the Muslims, a certain amount of ambiguity, variety of sacrament and celebration is good and necessary in the social world of praxis - acceptance of that adds to the claim that the Bataclan audience have an aspect of good naturedness - i.e., an aspect that is not puritanical or fanatical in a way that does not allow their people to be human, social creatures and to be themselves in their particular, idiosyncratic White ways. A homogeneous looking band and audience that accepts the misnomer of “death metal” provided the first clue that they have a good natured acceptance of some ambiguity, non-purity, i.e., an acceptance even of some relation to aspects of their natural White identity, even if only implicitly. However, the extent of their connection to the Abrahamic religion contradicts that and brought them into the fold of its absolutizing fight, which will accept no other identity - will not accept White identity as the separate social entity that it is. Some of them came into ultimate confrontation of inhumanity to their humanity in social difference as a people separate from the Jewish god of Muslims. The confused identity of our people at Bataclan became a confused message that the Israelis accepted disingenuously, that ISIL accepted on face value, that the band, audience, and I, allowed for in good faith - a confusion nevertheless inadvertently passed-on in the news of their death, presenting a perfect reason and occasion to sort-it-out here. Comments:2
Posted by Guessedworker on Mon, 23 Nov 2015 22:54 | # There ain’t no cure for stupidity + a big mouth + the rock ‘n roll life + Christianity. Unless, of course, that lost European compositional genius re-emerges. But that would only happen as a side-effect of something much greater historically. 3
Posted by jamesUK on Tue, 24 Nov 2015 06:07 | # Didn’t you say in a previous posting that Eagles of Death Metal represented white culture?
I know this comment will get deleted by the online Stasi on this website but what do you think of Richard Spencer and his recent NPI conference and the rumour surrounding Mr Spencer? 4
Posted by DanielS on Tue, 24 Nov 2015 08:55 | # Note that troll JamesUK likes to associate us with the right-wing circus and any sort of unflattering speculation that he possibly can; but I will leave the Spencer bit aside, whatever it is, at least for now in order to address this: “Didn’t you say in a previous posting that Eagles of Death Metal represented white culture?” I said that the Eagles of Death Metal fans represent implicitly White culture. Evidently their fans are predominantly White genetically; but the fact that the band leader, and likely a significant percentage of their fans, have a confused identity (case in point, thinking that Jews can be a part of their kin) as a result of Christianity and other Jewish crypsis, provides an excellent occasion to address those implicitly White demographics who suffer this confused identity as a result of Christianity. I was not wrong to treat them as an implicitly White demographic, that remains true. The band and audience alike reinforce this assumption by appearance, by the likelihood that they are predominantly, genetically White (European). However, the band’s confused identity is misleading from the start, with their name: one associates death metal with paganism, a Nordic paganism defiant of Christianity in particular - and therefore assumes that the band and audience would have little to do with identifying as Israelis, with Judaism, or even its offspring, Christianity - let alone Hughes vehement “devotion.” Hughes’ devout Christianity compounds the confused identity by taking his erstwhile White identity and enmeshing it with the Jewish narrative and identity, albeit as servile gentile other in relation to Israel, Jews and other non-Whites - the “undifferentiated gentile others”, as GW says. As Hughes also made clear (unclear rather), in the CoS interview, he is quite contradicted and does not even expect to be recognized by the Abrahamic god. His fans at the Bataclan also reflect and express this ambiguous identity, but in their good natured participation in a bit of carousing, defiant music, irreverent language, devil sign, etc. I say “good natured” because they were apparently healthy, functioning people who had bearings outside of sex-drugs-rockn’roll. Nevertheless, they lightheartedly though naiivly frolic with the Jewish god, tweak its nose and defy its rules for some practical latitude despite the unfortunate necessity of trafficking in its terms to some extent for the historical fact of their moral order having been entangled with it for two centuries. They are fooled by it on a profound level, however, as their seriousness, their devout service is reserved for the “other” - not for themselves - as they identify as the other. That is in contrast the Muslims, who have their own form of puritanical servility to the Abrahamic god, submission to the Jewish god. By further contrast to the Muslims, a certain amount of ambiguity, variety of sacrament and celebration is good and necessary in the social world of praxis - acceptance of that adds to the claim that the Bataclan audience have an aspect of good naturedness - i.e., an aspect that is not puritanical or fanatical in a way that does not allow their people to be human, social creatures and to be themselves in their particular, idiosyncratic White ways. A homogeneous looking band and audience that accepts the misnomer of “death metal” provided the first clue that they have a good natured acceptance of some ambiguity, non-purity, i.e., an acceptance even of some relation to aspects of their natural White identity, even if only implicitly. However, the extent of their connection to the Abrahamic religion contradicts that and brought them into the fold of its absolutizing fight, which will accept no other identity - will not accept White identity as the separate social entity that it is. Some of them came into ultimate confrontation of inhumanity to their humanity in social difference as a people separate from the Jewish god of Muslims. The confused identity of our people at Bataclan became a confused message that the Israelis accepted disingenuously, that ISIL accepted on face value, that the band, audience, and I, allowed for in good faith - a confusion nevertheless inadvertently passed-on in the news of their death, presenting a perfect reason and occasion to sort-it-out here. ............. 5
Posted by Chri$tian $ervice$ on Tue, 24 Nov 2015 17:10 | # We discussed talking to Ann Corcoran; and a lengthy comment was entered regarding her article on what was happening in Saint Cloud, Minnesota as a result of Lutheran Services (shocking) big money contracts (among other sober facts that she astutely notes) for those who comply to situate migrants in The United States. We noted this story in particular. MR was down for 10 days soon after and that must have been among the comments that were lost at that time; it is just as well for now - she and Palmgren continue to blame THE left .” 6
Posted by Big $ for Chri$tian refugee re$ettlement admin$ on Wed, 25 Nov 2015 04:09 | #
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Posted by jamesUK on Mon, 07 Dec 2015 03:07 | # Just testing to see if I could post a comment as when I tried twice before on later posts my comments were being flagged as spam. 9
Posted by Jesse Hughes quotes on Tue, 08 Dec 2015 08:59 | # From times prior: telling quotes from Jesse Hughes 10
Posted by Mick Lately on Tue, 08 Dec 2015 11:11 | # Bono the gobshite and Jesse the dipshit together on stage in an “emotional” act of “defiance”. Both have professed worship of Sweet Baby Jesus in the past. “In this season of goodwill, let’s pray that Hewson & Hughes go the same way as Dimebag Darrell pretty soon.” 11
Posted by A song for right-wing c**s on Wed, 09 Mar 2016 00:08 | # A song to right-wingers, alt-wise and other c**ts: Mayday. Who are they? Where do they get the clouds that must be made? Who are. They to say. This is the way it is believe or perish. They are. Here to pray. They never tell me what I need to know. We are. On our own. Our souls are free and we are here to stay.
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Posted by Abrahamic religions, learn the difference on Fri, 25 Mar 2016 19:23 | #
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Posted by Gene Simmons (KISS) interview on Fri, 25 Mar 2016 21:59 | #
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Posted by One year anniversay of Bataclan massacre on Sat, 12 Nov 2016 16:13 | # Tour managers explain adjustments on this one year anniversary of Bataclan massacre 15
Posted by Isil cells in Italy, Germany, UK on Wed, 16 Nov 2016 10:04 | #
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Posted by Rabbi Baruch Efrati & friends on Wed, 21 Aug 2019 20:06 | #
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Posted by Kumiko Oumae on Mon, 23 Nov 2015 18:05 | #
They seem to be confused about what genre they are on top of all that. Eagles of Death Metal isn’t even a death metal band apparently, they are a rock and roll band.
Everything also makes sense on that level as well, because only rock and roll would be able to accommodate such glaring contradictions.
Death metal takes itself far more seriously and as such could never give rise to such a sequence of events.