I am one who tends to think that concern regarding homosexuality is exaggerated beyond its true importance in WN circles.

Perhaps because I was at one time confronted directly and from a complexity of different angles with the implication to myself, but having no doubt that I wasn’t, and wanting to be unburdened of any accusation’s tedium, I was forced to make efficient intellectual work of putting aside any such accusation, to master the ways in which the issue could be deftly set aside as it is - largely irrelevant.

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Eight years ago the Italian team were an exemplary squad of specific native European nationals. Each victory of theirs could be a matter of legitimate pride in integrity by contrast to shame the swarthy objectivism on display by Europe’s non-representative teams. Tournament victories culminated in the Italian’s poetic World Cup Final revenge over a perverted France squad of mercenary Africans.

...for the 2014 Italian squad each victory is a loss of integrity.

Spitefully pronounced as “Italy’s Mario Balotelli” by Counter-Currents

And a comment in that regard from Counter-Currents:

Frederick Dukić
Posted July 17, 2014 at 2:45 am | Permalink

Question: “What part of Italy is he from?” +FD

Answer: He is from the North of Italy, no doubt - it is clear by his blond hair.

Germany’s Boateng, ‘man of the World Cup Final.’ Which part of Germany is he from?

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Millenial Woes is the YouTube channel of a “a GenX/Millennial Scottish guy pontificating about the world we live in, and are heading towards.”  In January of this year, following the appearance of a DT article by Jamie Bartlett titled “The Dark Enlightenment” - a critique of the work of Nick Land that managed to be both patronising and naive - our millenial man posted a video-talk not about the article so much as the thread that accompanied it.  This afternoon Morgoth kindly drew the attention of DT thread campaigners to its existence, and I thought it might be interesting to MR readers to see it.

So, with thanks to Morgoth:

In citing Yockey’s definition of liberalism, I do believe Tanstaafl captures some of the “it’s a bit more than that” to the definition of liberalism that GW advised over and against the one that I was proffering in the interview with Metzger.

http://age-of-treason.com/2014/06/10/yockey-on-liberalism-part-2/

https://docs.google.com/file/d/0B8oaBXD8l-58Z01FZ3RKb3drbzQ/edit?usp=drive_web

Fortunately for me (and for us as a race), it is not really contradictory of the definition which I would venture as most useful. Though it is, I admit, more articulate in some significant ways that GW would/does appreciate.

I would have liberalism be defined primarily as permission of the violation of the classification - which is the parameters of the group systemic organism of race.

Yockey, like GW, focuses even more meticulously on the individual (as well), to where liberalism would be the experimentation with going beyond the normal parameters of our biology as individuals as well.

That would have several “more than that” interesting implications which provide clues as to where GW was going.

One implication would indicate why GW focuses so much on the Ontology of who we authentically are as European group(s) and individuals. We cannot even know what liberalism is, entirely, or what is inauthentic response to liberaism, a reaction, until that is settled…

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by Neil Vodavzny

Because race is quintessentially tied to the sensual world – rural, resource-based – creative outsiders are also tied to that world. The aforementioned Harlan Ellison, R. Crumb, KT Tunstall, Tanita Tikaram (sci-fi fantasist, cartoonist, folk-rockers) in their disparate ways fantastically creative, originating works tangled-up in the fecundity of a natural cornucopia – erotic, psychedelic, mythopoeic. These types are for sure not enemies. For the reason they’re outside the mainstream they’re more likely to appeal temperamentally, not through any political affiliation, but from their antithesis to either/or, modernity/the Cartesian multiverse. That is folk, or pop-folk.

Their work exists in a folkloric world which we already know as quintessentially racial. To take Ellison’s case, ancient Egyptian or Babylonian gods. Crumb would be the blues lineage of classic Black shellacs. KT Tunstall interestingly is Irish/Chinese, Scottish operating in a Scottish folk idiom (Golden Frames, a typically enigmatic ditty, has something to do with fame and alien abduction). Tikaram is Fijian operating in an indie-folk milieu.

Environment and temperament are equally vital to race, for the reason that races don’t develop out of thin air. We are cavemen – I mean, Alan Moore  still is. Can you imagine him driving a car? Not quite 18th or 19th century enough. Those who instinctively recognize images of racial, temporal, folkloric origin, are friends in the sense their work supports the sensual world, which is the life-support of all God’s chillen – I mean, races.

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http://age-of-treason.com/data/audio/MRR_Guessedworker_Tanstaafl_20140529.mp3

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