Majorityrights News > Category: Film

While not exactly an ethnonationalist, in fact, prissy on a “Spencerian” level, Rick Steve does a professional job of showing us around our European nations, providing a convenient source of information for those of us who cannot make it around to all these places; a view at our convenience which should, nevertheless, give inspiration for our fight.

This one tours the Scottish Highlands. Others will be added subsequently…

I don’t even like throwing a bone to the Jewish ass-kisser Trump, or candidates from either party (Democrats either, of course) of America’s utterly baked-in and controlled liberal system - wherein “conservatives” only conserve liberalism. However, even if Trump was forced to address this issue to push back against (((Social Media Bias))) in favor of the Democrats in the coming election, and even if the examples of censorship are not those with platforms that I agree with (for example, a pro-life platform excluded from Twitter), the issue and the fact of censorship and “popularity” being manipulated, brought out into open awareness and discussion from underneath the gaslighting by (((social media))) is helpful.

As ethnonationalists, you may not like the examples of people and issues censored.

On the other hand, just as raising the issue of censorship itself provides some daylight for our concerns, so too the intersectionality that a David Horowitz experiences in his example of social media censorship provides some grounds for us to seize upon. Yes, Horowitz has concerns for intersectionality against (((his interests))) in mind, ultimately (no small matter, he’s not “one of us and on our side”); nevertheless, he’s the one who spilled significant beans on the who, what, how of Cultural Marxism/Political Correctness that allowed William Lind to articulate the matter so well for purposes of our ethnonationalist critique and increased freedom from its voodoo.

Tulsi Gabbard sounds off on ‘clear bias’ during her debate

Trump hosts conservative social media personalities at White House

Fox News
President Trump’s White House summit aims to air our grievances over political bias on social media platforms. Invitees are mostly comprised of prominent, and sometimes controversial, online right-wing pundits. #FoxNewsLive #FoxNews

Ignore Lana’s idiotic use of the YKW supplied “enemy term”, i.e., “Leftists”, and replace it with the correct term, “Liberals” and it is otherwise a good critique of Lauren Southern’s ((())) “Borderless.”

Lana’s inclination to get suckered into a right wing position is probably a significant reason why Red Ice has been spared the recent Youtube purge so far.

(((Lauren Southern))) equipped with gas mask, helmet and protective eye goggles, ready for the “surprise attack” from anti-fa.

And as far as Lauren Southern (Simonsen) goes, Majorityrights has long seen her game as kosher.

Related at Majorityrights:

Hardly The Battle of Cable Street: What Berkeley Doesn’t Mean

The right is infamous for getting people swept-up and lured into mistakes.

(102:47) Richard Spencer: In terms of the Alt Lite, I can only imagine that a lot of them are waking up to this obvious reality

(102:59) Charles: I think they are. (((Lauren Southern))), I think, just made a video saying that it’s time to fight back.

(103:07) Richard Spencer: Yeah

The independent documentary movie by Tomasz and Marek Sekielski brothers. This is truth about the Catholic Church in Poland.

Discourse analysis of David Cole Stein’s (((narrative control))) as promoted through Robert Stark’s kosher forum.

Cole-Stein is going to talk about how the porn-industry is “the last refuge of political incorrectness”, how “unlike the ‘Leftist’ controlled media, it simply and objectively caters to the desires of its ‘fan-base.”

Robert Stark: This-is-Robert-Stark. I am joined here with-uh, David Cole. Uh David, great having you back on the show.

David Cole-Stein: It’s a pleasure to be back, Robert! It really is. I enjoyed our first go-round and I’m looking forward to doing it again.

Robert Stark: And I’m also joined here with my ‘Alt-of-Center’ co-host, ah, Mathew Pegus.

Stark seems to provide/be provided with a different kosher co-host every few shows or so.

Mathew Pegus: Great to be here Robert. Thank you for having me.

David Cole-Stein: Speaking of ‘Alt’, I want to apologize to you, Robert; because I know, a couple months ago in one of my Taki-Mag pieces, I kind-of mischaracterized you in my description of you ...and you were very polite about it, you were very nice about it; but I don’t like when I do that, because, number one, I don’t like to make errors in print, but also I don’t like it when people mischaracterize me or affix labels to me that I don’t want or don’t deserve. So I want to just apologize to get things started here, one on one here: I’m very sorry - I think I called you “Alt-Righty.” ...and uh..

Robert Stark: Or like “Extreme Alt-Right” or “Hard-Core Alt-Right.” ...(chuckles)

David Cole-Stein: Uh, Ok. Yeah, rub it in! Go ahead! That, that, here - here’s a man trying to like, grovel; and you take that salt and you rub-it right in! Yes, I made a grievous error, a grievous error! and I apologize for it.

Robert Stark (chuckles): So uh, lets start with your recent article, “Lessons From My Porn-Girl” ..and just as kind of an overall theme, is how pornography is the one area in our culture where one is allowed to be ah, politically incorrect. So by-basically to start things off, by ‘porn-girl’ you’re referencing this woman that you used to know…

David Cole-Stein: Well, a woman who lived with me. A woman whose porn-name is Kirsten Lee; ah, her real name is Kera. That - I’m not outing anybody, she has, she has outed herself. So this is not me, ah doing anything (coughs) like outing or doxxing. Kera lived with me for almost two years and was pretty much my partner in crime. She was twenty one when I uh, met her and uh…and I, basically, my role in her life was to try to help her out of the porn-biz. It’s a business that has never interested me but it was fascinating during that first year that she and I were together before she got out of it because by the second year she was fully out. You know the, the amazing thing about a porn girl is that once you give them free rent and utilities and food, ah they no longer feel the need to seek money; ah and well, they can just get right out of porn at that point - it’s really a miraculous formula; uh, they, they, once they don’t have any needs or bills to pay or anything like that, well getting out of porn seems pretty simple at that point.

The White Left will emphasize this point of social safety net to help prevent mud-sharkery in the first place.

Robert Stark: So, you-you touch on the theme of how pornography is the one, the one uh, aspect of media where politically incorrect content is uh, not only tolerated but promoted; and garners massive amounts of hit-counts in profits. What was the specific case with her and her ah, politically incorrect attitudes about sexual relations in porn.

Cole-Burner Stain

David Cole-Stein

David Cole-Stein: Well I, um, I was amazed, really quite amazed by the people I mixed with during that first year while she was still knee deep, neck deep in the business. Uh, on racial matters, the kind of stuff that is the most taboo for the rest of us to talk about, on racial matters porn is just insanely honest. I’m not affixing a good or bad label to it, or healthy or unhealthy - just saying its incredibly honest: White girl comes in and White girl says, “I’m not going to blow an N-word”, and uh, and the producers of porn companies are like, ‘great, you don’t do the N-word porn’. Um, Kera, my porn-girl, made most of her money doing interracial stuff, because since she was so young and very thin and kind of pristine for lack of a better word; uh, it was kind of rare to have a White girl like that do interracial because ah, normally it was the older women who put on a few pounds who’d do the interracial; uh, but for a blond girl, blue eyes, twenty one years old and looking like she’s just come right-off the fiords, it was, she made a great-deal of money at that.

Note that Cole-Stein is marking a transition, there was a time when this didn’t happen, or not much among working class women and certainly not much in the public space. It is not a time in memorial truth of societal behavior; and it’s not as if it is a sheer discovered fan base - but he’s normalizing and institutionalizing it as a given fact apart from negotiative components of societal incentive - particularly, money and a Jewish anti-White agenda.

His argument - “a fan base”, as in, “this is what people agentively want” - is up against the involuntary high contrast tropism and need to gauge genetic distance and competition, not a mere expression of a ‘fan base’ catered-to. As a high contrast tropism, it is simply harder to ignore highly contrasting sounds and sights such as interracial; and the genetic call to grapple with the incitement to competition and deal with its vast, destructive genetic distance. It doesn’t necessarily mean this is what people want. Furthermore, there are elective, i.e., not merely catered-to, non-interracial taboos that are very popular also which can serve as an antidote to the destructive effects of this “catered-to” tropism.

David Cole-Stein (continues): But yet in her private life, she would never do interracial. That was the thing that fascinated me most was how she was able to compartmentalize the racial thing. When she’s at work and she gets $8,000 to go down on a black dude, well that’s just work, she just does it. And then when we’re out in club and some black guy tries to hit on her and maybe comment on her porn, and she’ll let loose just a stream of expletives, ah ‘you friggin’ N-word’, ‘you N-word this and N-word that’ (Stark giggles) uh, there’s, huh, in her mind, its just, hey, I’m at work, I’m at work and my work right now is blowin’ a black guy; and then when we’re out at a club later that night - hey, this is my private time, I don’t want to talk to a black guy…so..

It’s at work, ‘it’s ok then’. As with Hannah Arendt, he is shifting an ethnic basis for discrimination to the abstract, individual basis of “public and private.” He is trying to create a distancing effect, ‘this is play’ - to create a distancing effect from the actual participation of the actresses.

David Cole-Stein (continues): But the whole industry was just sort of honest that way. Ah, most of the women, would - including black girls too and the Latino girls - they were just very honest, ‘cuz you can talk about race in porn in a way that you can’t in real life. It’s, I make the point in my article - where else in American society right now can pay-scale be determined by your race? I mean, if any other business, if Amazon were to say, ‘we’re going to be paying uh, White programmers more than uh, Asian ones’, well of course it would be a huge thing and I’m not advocating that at all. But in porn, White girls who are willing to do black guys make more; uh, White girls who only want to do other White girls make the least. Because that’s, that’s, hell, any White girl will kiss another White girl these days, that’s ...in my day that was barely titillating and I think everyone kind of does that now.

So.. and then the Mexican dudes, there were some Arab dudes - and they get paid different based on race ..eh that doesn’t happen anywhere else. I mean, its kind of astounding when I was looking at it. I spent years writing about racial politics and racial law and discrimination laws. And I’m like, wow, this, this is the wild-west, this is a part of the entertainment industry - and a profitable one - that has yet to be touched by that Leftist hand of politically correct social justice bullshit.

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